Recent content by scheimfluger_77

Now here is a perfect example of the OP’s “dilemma”. The star of the photo—is not—the fire hydrant, it’s the girl behind it. At first I thought her hair was a rooster perched on top of the hydrant… but no, it’s the unseen human behind the ‘subject’. I take many photos that I look at and wonder...

Works for me. (The Barry White voice I mean). ;-)

Hey, how can you go wrong with a Super donut for super uninspiration!

Dark! Adapting the garage to function as an on-demand darkroom. It’s very slow going, there are many projects demanding my attention.

I did not know this.

Personally I like this film, wish it was available in sheets. Most of what I’ve shot is in a pinhole camera with an IR-720 filter, and the results, while typically “pinhole-ish”, have a nice “creamyness” in the tones lending a more dreamy feeling. An ISO of 1 at f/128 makes for interesting photo...

This is precious!

Tomita had a cool synthesizer version back in the ‘70’s.

Been wondering where to look for this sort of thing, thanks.

SnC you seem to have a great eye for isolating a subject while giving context as well.

Another technique you can try is divide your 2 second exposure into 4; 1/2 sec. exposures. That will give you another look as well. This is assuming you can make multiple exposures with your equipment.

This is a dry mounting press for mounting photographic prints on mat board. Depending on condition and price I expect you won’t have much trouble selling it.

Nice asymmetrical composition. What are the buildings in the distance?

I love this but it scares the c**p out of me. I could probably drive on the left if I had these great big arrows every few feet.

That’s right. The camera original will not have the sound embedded in it because audio was captured on a sync magnetic tape machine, almost exclusively a Nagra. Video and audio were synced up on the Movieola and edited “in-sync” that way. Once the edits were done and spliced into ‘A’ and ‘B’...