I have my fingers crossed that there will be holography in my lifetime. How cool will that be?! I'll be first in line for a camera. I might even think about putting together a holographic club. Get-togethers of like-minded interests are just about the best times there are.
Plein air watercolor meetups are a big thing here on the Coast. The participants look like they're having such a wonderful time I've thought about getting out my old watercolors just to join in the fun. But (and here it comes...) I wouldn't expect to be included if I showed up with a camera rather than a box of paints. If I formed that hypothetical holographic camera club, 2D cameras (film or digital) would not be 'invited'.
I absolutely love my Pentax DSLR and my Canon Powershot. I absolutely love my 120 rangefinders and my Whole Plate view. To my mind the two kinds of image gathering are as different from one another as watercolor from a camera. For me, the defining point is about the tools used and their entwined and inescapable differences in workflow and vocabulary and the resulting impact on the social and educational aspects of get-togethers.
Film cameras are an endangered species. There just isn't anywhere to learn how to use film cameras. Meetings and field trips were always the path for newcomer to become oldtimer. Still are -- for digital cameras. Everybody hanging around staring at histograms and talking about HDR and apps. Speed shooting 50 frames for every one sheet of film I can set up and expose. Can you imagine how aggressive a film newb would have to be to get any help learning? How would you ask questions about camera operation? And we oldies: how do you squeeze in questions about new products? The film and film camera world is changing so fast, it's very hard to keep up. Forming an affinity group is a very doable way to at least try.
My plans for a film camera club don't really involve APUG. Technically, I think, APUG dictates analog, start to finish. My personal opinion is that that's self-defeating in the extreme. Making an analog print requires a darkroom -- a rapidly disappearing beast. Developing film just requires a dark space for a short time. I once worked out of the hall bathroom in my apartment for two years. There are still commercial color processors who might appreciate new customers. From the developed film anyone can go to a scanner and inkjet printer, although probably needless to say, but I would hope that most people would want to travel through to an analog print.
I wish very much we could have more annual get-togethers like the ones in Newport and Vancouver. I thought they were a wonderful mix of all the Ways of photography. I'd love to see a different part of the PNW every year, or I'd be happy to host one every year in Newport, but I'm getting too old and cranky to put up with too much sh*t trying to make it happen

. The film camera club hopefully will be what it will be: loose, fun, educational, retro, and unabashedly 'separatist'.
Denise