IpseLux
Member
As I was going thru the drive thru, I decided to take a snap of my buddy Carlos, working this am. Nice young man. Tough gig. Particularly under appreciated here in the US.
The image itself is modest at best, normal lens, shot from the driver seat of a coupe, at a driving window…. You could imagine.
But what I did not expect, was Carlos’ reaction: a serious pose. By serious I mean serious, an image for posterity serious.
I handed him my camera so he could see it. He was surprised by the weight of my camera, a D2. All this time he’s known me, he’s known me as someone other than a photographer. At that instant, the camera, and the image changed that.
I promised him a print from Walmart, about 19 cents and he seemed genuinely pleased. I’ll print him two, one for himself, and one for a significant other that might appreciate.
Which brings me to another tale…. Years ago I knew this Mayan photographer Pedro. He made his living selling photos, one by one. Camera and flash in hand, Rural Mayan Guatemala, in the days of film, and this young man took exceptional portraits. Flash exposure was always perfect. One classic pose: for posterity. And Mayans did not smile. This was no selfie. This was history, part of their historical record. Along with their birth and baptism records in the Church, and possible mandatory military service (young men were often abducted into military service during this period of Civil War, it proved they existed. Given the ethnic abuses and violence of the times, this mattered.
So I ask, can photography contribute to the greater good. I’m not speaking of Pirlitzer images, and big marketing projects, but of every day images.
Do your images contribute to this common good?
Who are photographers you admire, who do this?
The image itself is modest at best, normal lens, shot from the driver seat of a coupe, at a driving window…. You could imagine.
But what I did not expect, was Carlos’ reaction: a serious pose. By serious I mean serious, an image for posterity serious.
I handed him my camera so he could see it. He was surprised by the weight of my camera, a D2. All this time he’s known me, he’s known me as someone other than a photographer. At that instant, the camera, and the image changed that.
I promised him a print from Walmart, about 19 cents and he seemed genuinely pleased. I’ll print him two, one for himself, and one for a significant other that might appreciate.
Which brings me to another tale…. Years ago I knew this Mayan photographer Pedro. He made his living selling photos, one by one. Camera and flash in hand, Rural Mayan Guatemala, in the days of film, and this young man took exceptional portraits. Flash exposure was always perfect. One classic pose: for posterity. And Mayans did not smile. This was no selfie. This was history, part of their historical record. Along with their birth and baptism records in the Church, and possible mandatory military service (young men were often abducted into military service during this period of Civil War, it proved they existed. Given the ethnic abuses and violence of the times, this mattered.
So I ask, can photography contribute to the greater good. I’m not speaking of Pirlitzer images, and big marketing projects, but of every day images.
Do your images contribute to this common good?
Who are photographers you admire, who do this?
