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Hampden, ME

River, Hampden 3a.jpg
 
El Capitan Meadow, Yosemite National Park
8x10 platinum/palladium print
 

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  • ElCapitanMeadowSnow_Platinum copy.jpg
    ElCapitanMeadowSnow_Platinum copy.jpg
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Leica CL, 40/2 cron, TriX, handheld at probably 1/20 or 1/15th. 9 years ago (I remember, because I got SUPER sick that night and a week later ended up in the hospital for 4 days and sick for 3 weeks total).
Savage Gulf State Park, above Savage Falls, TN.

i-Pw632F4-X2.jpg
 
The situation was such that I had a bag over my camera, and I had to continuously wipe the rain off my lens filter, stop and take the picture as quickly as possible.

Fujica G690, 50mm f5.6, Provia 100F, 80A filter

Untitled-(2)-(93).jpg
 
The situation was such that I had a bag over my camera, and I had to continuously wipe the rain off my lens filter, stop and take the picture as quickly as possible.

Fujica G690, 50mm f5.6, Provia 100F, 80A filter

View attachment 357092
Hmm, interesting. Is that shadow clipping I see on the tree, a conversion/scanning artifact?
 
Winter around here comes with low light (EV7 @100) and "permaovercast" - not very inspiring, but good time to test some film reversal. The thinking being - if I can nail (exposure, reversal) a snowy scene, I should have zero problems in less challenging lighting conditions.

So... I tested Fomapan R 100 at various EI and with Ilford Reversal Processing, will probably make a longer post in-detail about it some time later.
This shot comes from attempting reversal at box speed, and I think I nailed it!


Fomapan R 100 in PQ Universal by Ivo Stunga, on Flickr
 
Last edited:
Hmm, interesting. Is that shadow clipping I see on the tree, a conversion/scanning artifact?

This is what the scanner software produced with the default settings. I just decided to go with it. There's details in the shadows if I boost them.
 
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