Well I think you're making this about an entirely different subject. Sure, we compose and that does have the essence of 'pose' in it- we select what we want to have in the photogrpah and thereby influence how the scene is perceived. fine.
But manipulation of the sort described in the article is at a very different level
Manipulation to alter perception is, well, still manipulation. It's really not a matter of degree or kind. Composing, cropping, and posing are all manipulation. What about the elephant that Roger Fenton cropped out of his famous Crimea shots of the Valley of the Shadow of Death? Could have been one there, right? Still think you're also being willfully naive about the degree of manipulation in pre-Adobe photography.