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That is the enthusiasm film photography needs, slam everything down, well done!Another repurposed film. We have no idea what it is. Sort of a pig in a poke.
That is the enthusiasm film photography needs, slam everything down, well done!
That is the enthusiasm film photography needs, slam everything down, well done!
If you reread my post you will find that my concern is lack of data. IIRC this film has appeared before on the market in a different incarnation and mentioned on APUG. What worries me is that the marketer is vary cagey about it. This should raise concerns with all who might be interested.
It's not Zorki film. Zorki never made film. It's like sticking an Ilford label on your Nikon and shooting Ilford film. What could be more cool?Besides - what could be more cool that to shoot Zorki film in your Zorki camera?
Besides - what could be more cool that to shoot Zorki film in your Zorki camera?
It's not Zorki film. Zorki never made film. It's like sticking an Ilford label on your Nikon and shooting Ilford film. What could be more cool?
And you'll be so cool.I've got some random outdated stuff in the freezer....I'm going to stick a Pentax label on it and put it in my LX, should work a treat.
I suppose it is possible that if you take name brand film and repackage it with a private label more film will be sold overall, but I wouldn't bet my life on it. Seems more likely that you would sell the same number of rolls.My opinion is that we shouldn't complain about the fact that new repackaged films hit the market. It was a common practice in film heydays, I remember here in Italy up to the early years of new millennium even big store chains used to have their own labeled Color Negative film (usually coming from Ferrania)....after all, this all means there is a resurgence in film photography, so...it's all good news
Is that a metaphor for Zorki film?I guess none of you dress up in costume for Halloween, either.
I am surprised they sell even one roll of Tri-X for $19.00. Why don't they just buy their film from B&H instead of the distributor?One of the serious problems in Canada is how dysfunctional the distribution system is. I certainly see the potential of someone contracting for a useful film from someone like Harman, and then using a well focused distribution system to actually market it effectively here.
Case in point - I was in a local photographic store last week - part of a several store chain. The sales person shoots medium format and 4x5. His chain's price for 135-36 Tri-X? - almost $19.00 CDN, because it costs them so much to buy the quantities they can sell from the Canadian distributors.
One of my favourite local retailers actually does that for some products. If their customer places an order, they will order from one of the New York sources or Freestyle, pay the costs of shipping and commercial importation (including taxes and any duties), add their normal markup and then charge the total to their customer - all for less than the cost of paying a "wholesale" price to a distributor.I am surprised they sell even one roll of Tri-X for $19.00. Why don't they just buy their film from B&H instead of the distributor?
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