The 40mm M-Rokkor is slightly more desirable than its optical twin, the 40mm Summicron-C, since it is multicoated and takes standard 40.5mm filters. The Summicron-C is a little weird in that respect.Lee L said:You could also find a used 40mm Summicron-C at a good price. Been using one for nearly 30 years and have had people claim 11x14s from it had to be MF with slow film and the right developer. The 40mm f:2 Rokkor M is the same lens, at KEH for $300 now in excellent condition. Looks like the 40 Summicrons have taken a big jump lately. Use to be about $250 in vg to excellent condition, now looks like closer to $350-$400 KEH bargain condition. But sometimes KEH bargains are in better condition than you bargained for. (Sorry 'bout that.)
This is more about KEH than about your lenses, but I have purchased many items from KEH in bargain condition and feel that every one of them exceeds the above description. I understand that it is their description, but that is my experience.Tom Hoskinson said:KEH "Bargain" 70-79% of original condition. Shows more than average wear. May have dents, dings and a goodly amount of brassing and finish loss. Glass may have marks that should not affect picture quality.
$484.00??
Forget it!
Build quality of the Ikon/Planar? Haven't seen one taken apart and analyzed. I would expect it to be Excellent.
Paul Sorensen said:This is more about KEH than about your lenses, but I have purchased many items from KEH in bargain condition and feel that every one of them exceeds the above description. I understand that it is their description, but that is my experience.
Makes sense. I just read that description and thought "that doesn't describe anything I have ever bought from them!" so I thought I would pass that observation along. I don't know Leica lenses, to me everything Leica is overpriced.Tom Hoskinson said:Paul, I was reacting to the price of the lens in combination with the description. My feeling is very strong the particular lens is overpriced by at least 2x given its described conditon. I'm just not willing to pay an inflated price for a "name" like Leica (or Hassleblad for that matter), particularly not for a well used normal focal length lens of modest speed.
For what it's worth, a few years back I was shooting a series on 35 mm which had a lot of backlit subjects in it. I started out with a Leica M3 with a new 50 mm Summicron, the flare of this lens in backlit situations drove me nuts, even with a correct Leica filter and the lens hood pulled out. Aside from that, this was a very sharp lens with excellent field flatness. I also tried a Nikon FM2n with a new 50 mm f1.8 AIS lens, bad flare again. I disposed of both of these cameras and went back to Pentax and a 43 mm f1.9 lens - excellent sharpness, admittedly not the high micro-contrast of the Summicron, but great flare suppression.Trivette said:There seems to be such a kneejerk tendency to try to divert people away from Leica optics that I sometimes wonder whether there might be a tiny bit of non-objectivity involved. I happen to have a 50mm Summicron (latest version), and it is for all intents and purposes optically flawless. There certainly may be better lenses out there, but it would likely be a test bench superiority, not something which would be noticed in practical use.
David H. Bebbington said:...Of the lenses mentioned so far, the Zeiss could be a good choice, although for less money an f2.5 Color-Skopar could be good. Being a wizened old photographer, I tend to select a 4-glass lens for better flare suppression - of all the lenses I own, the champ for flare suppression has to be a 360 mm f5.5 Tele-Xenar. Only 4 glasses and single coating, but it never flares even with the sun in the picture or more critically just outside the frame.
I haven't bought from KEH in years, but everyone I know who's bought "bargain" from KEH lately has been THRILLED. Often the item is in excellent or better condition, plus KEH is very good on returns if you're not satisfied.Tom Hoskinson said:KEH "Bargain" 70-79% of original condition. Shows more than average wear. May have dents, dings and a goodly amount of brassing and finish loss. Glass may have marks that should not affect picture quality.
$484.00??
Forget it!
Build quality of the Ikon/Planar? Haven't seen one taken apart and analyzed. I would expect it to be Excellent.
David H. Bebbington said:Of the lenses mentioned so far, the Zeiss could be a good choice, although for less money an f2.5 Color-Skopar could be good. Being a wizened old photographer, I tend to select a 4-glass lens for better flare suppression - of all the lenses I own, the champ for flare suppression has to be a 360 mm f5.5 Tele-Xenar. Only 4 glasses and single coating, but it never flares even with the sun in the picture or more critically just outside the frame.
I must admit I did not check the specification of the f2.5 Color Skopar but made this comment based on my recollection of the very good 50 mm f2.8 Color Skopar on the Vito C I owned 35 years ago. C/V must have been having a bad day if they went to all the trouble of re-computing the lens from 4 elements to 7 to gain only 1/3 of a stop in maximum aperture with worse optical performance.Lee L said:The C/V 50mm f:2.5 Color Skopar is 7 elements in 6 groups, not 4 as your note might be read to imply. Lee
This is true. I did say that the lens in question was new a few years ago, in fact it was new in 1995 - I think (although I could be wrong) that this version is still the current one. In terms of choice of Summicrons, I think I like the first version best - I had one of these on a Leica IIIf which I used to use for press work. I recall good sharpness but without the fierce micro-contrast of the later lenses.Lee L said:Also, I'm sure most people are aware that there are a few generations of 50mm Summicrons out there, not all of which perform exactly alike, so comments on one may not necessarily pertain to the other generations. Lee
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