No, that sounds like a pretty comprehensive condemnation as it stands. As far as the sound is concerned is it the way that the letters DD-X run together ?Anything I'm missing? I honestly do not know why I wanted to like DD-X so much, maybe because I like the sound of it?
doesn't DDX die off if not used up??
I am driven by the "Power of Love " and am certainly in the "Hip to be Square" categoryI must start some other new threads just to provoke pentaxuser to post more!
I am driven by the "Power of Love " and am certainly in the "Hip to be Square" category
pentaxuser
Interesting as it sounds as if you can get the same result with Microphen and you are right it is much cheaper. I have a box of Microphen which is a developer I haven't used before so I will try and compare some negatives and prints from my DD-X negatives and prints of several years agoDD-X is just like the liquid version of Microphen.
Too expensive for my taste.
.
DD-X was my first developer when I got back into developing film at home. I liked the convenience, I generally prefer Ilford for everything for silly reasons, and the results did not disappoint (at first).
But I do not think I'll be ordering it anymore. Wanted to run my thoughts by you to see if I'm missing anything, or if my experience was atypical:
Anything I'm missing? I honestly do not know why I wanted to like DD-X so much, maybe because I like the sound of it?
- It is on a grainy side. ID-11 and Xtol, both diluted 1:1 and especially full-strength deliver noticeably nicer grain. It just seems uglier with DD-X, especially with Delta films which I found strange, since so many people online say that "DD-X was optimized for Delta".
- HP5+ has a tendency to look flat, but especially so in DD-X. All midtones get compressed into the same narrow spectrum. People's faces look flat and grey with this combination. I tried different times, agitation and even tried diluting DD-X, but why bother if HP5 looks so much better in ID-11 with zero effort?
- Supposedly DD-X gives you effective speed increase, but I never noticed it compared to ID-11 and Xtol. Perhaps this is more important for pushing, but I do not push.
- It is more expensive. This wasn't a factor for 135 but I am shooting mostly medium format, and Ilford insists on 1:4 ratio, this means $2 per roll just for the developer, that's 4x of Xtol.
Isn't DD-X used at 1+4? Xtol is about $18.50 at its cheapest and more expensive that that on most U.K. and yes relatively speaking Xtol is catching up with
DD-X.
To use a very old British expression a lot of analogue related prices are a "whole new ball game" over here. Now there's a phrase you don't hear very often in the SF bay area where Huey is connected with the News
pentaxuser
DD-X is a ripoff. Buy the original DD in 5L bottles add a splash of starter or just use the DD-X for starting your "tank" .
Of course we still get back to the XTOL being the greatest film developer of all time
My license plates
View attachment 247765
If you replenish XTOL, you only use 70ml per roll of 120, 135-36, or 8x10.
The pull into replenished Xtol is strong here...My problem is that I bulk-load my own 35mm film into rolls of varying sizes, from 12 to 35, and my volume is a bit unpredictable, because I can't use Xtol for every fim. The gap between HP5+ in ID-11 vs everything else is too huge to ignore, so I'll be using ID-11/D76 too. This makes replenishment... not effortless.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?