APraktikaSL!which I would buy again for sentimental only.the original purchase died within a week.It's hard to believe that my Minolta SRT 101 is turning 49 years old this month. I still have it, it's original box, packing, USA tag, case and even the Japanese battery that I chose not to use at the time. For it's time it was a wonderful camera that did everything I wanted it to. It still works along with it's 58mm f1.4 MC Rokkor PF which moved on to many other Minolta bodies in time. It was a present from my dad and I had the option of picking any camera under $250US. It was a difficult choice between it and a Nikkormat FTn w/ f2 lens, a Honeywell Spotmatic w/ f1.4, or a Miranda Sensorex w/f1.4 (which my dad wanted me to buy because it was rated #1 by "Consumer Reports"). Since then I switched to Nikon and use their FX DSLR's, so the Nikkormat might of been a smarter choice, but I don't regret my pick.
1) What was your first 35mm SLR?
2) If you could go back in time would you pick the same one?
Metering: Good. Several modes are available.Hi!
I just bought one of these, after considering several small light AF SLRs for me. I've been shooting Olympus OM-2n and 35 RC for several years now and I wanted something like a p&s with controls. I hope I made a good choice! I'm thinking about getting a 40mm 2.8 STM or a 50mm 1.8 STM, haven't decided yet.
Would you share some of your experiences with this camera, please? Metering, viewfinder, seize and weight?
Thanks a lot!
1) What was your first 35mm SLR?
2) If you could go back in time would you pick the same one?
Metering: Good. Several modes are available.
Viewfinder: Adequate, possibly a little dim because it is a pentamirror, not a pentaprism, but as I say, adequate. When shooting in auto focus mode a slightly dim viewfinder is not important anyway because you will be using the viewfinder mainly for framing the photo. In manual focus mode it is a little more of an issue, but really, it's not that big of a deal.
Size and weight: Small and light, which I like, especially if carrying it all day.
Handling: Good when using automatic modes, which is what I use most of the time these days. A little fiddly when using manual modes but usable nevertheless.
Film handling: I very much like the "count down" film counter rather than the "count up" film counter that most cameras have. Film loading is easy.
Autofocus: Generally good on the lenses designed for full frame cameras, like the T2.
Manual focus: Works OK, but not as nice as a manual focus only system.
Image stabilization: Available on some lenses, and generally works well.
Selection of available lenses: Legendary, even if most are out of range price-wise
Electronic flash systems: Very good. Nikon's flash system is said to be a little better
What lens to buy? Good question. Both the 40mm f/2.8 and the 50mm f/1.8 (Nifty Fifty) are optically good and relatively inexpensive. The build quality of the 40mm is said to be a bit better and the image quality is possibly a little sharper. I have a 40mm, and it is very small, which is nice. I had a 50mm f/1.4, which I eventually sold. I replaced it with a Tamron 45mm f/1.8, mainly because it has image stabilization but also because it is said to be optically a little better than the 50mm canon lenses. It is quite a bit more expensive however. I bought 50mm f/1.8 lenses for both my daughter and my daughter in law. The 50mm f/1.8 is often called the greatest bargain of all lenses.
If I were you and choosing between the 40mm f/2.8 and the 50mm f/1.8, I would make the choice based mainly on what field of view you prefer, wider (40mm) or narrower (50mm). If you have enough money try to buy the Tamron 45mm f/1.8 lens. Another contender would be the Sigma 50mm f/1.4 Art lens, which is said to be optically superb, but it is even more expensive than the Tamron and doesn't have image stabilization.
I actually wish they made an 58mm f/2.0 because I prefer a slightly narrower field of view for my normal lens. (Even better would be a 58mm f/2.0 image stabilized lens.) Also, a 58mm lens would be great on a digital crop format camera, like a digital Rebel because it would be a an ideal portrait lens (93mm equivalent on a crop format camera), so it could do great double duty, but I digress into a fantasy land.
Anyway, with the T2 under almost all ordinary conditions and most less-than-ordinary conditions you can take photos that are just as good as you could the top end of the Canon (or Nikon) camera line, and for a lot less money too.
According to this lens testIncredible useful!
Thanks so much. I think I'm getting the 40mm. Do you know if it vignettes a lot?
Minolta SRT-202
Yes, I woud do it all over again. But wait, I have, I have 3 of them now.
Wow, fantastic: Rolleiflex 3003s. Please tell us a bit more. Are they working? Did you need to rebuild the NiCad batteries? Are the backs advancing correctly? These Rollei cameras are so rare in USA, I have seen maybe 1 or 2 in 30 years.The first SLR camera that I bought myself (not a Christmas gift), was a Rolleiflex SL2000F. That led to decades of Rolleiflex use and acquisitions.
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