eheldreth said:I think an interesting way to view the public domain issue is through the eyes of the disney corporation. Old Walt created his first cartoon called steamboat Willie which was a rip off of Buster Keaton's Steamboat Bill. There next theft of copyright was from a group of stories by the Brothers Grimm. Disney made his company by taking things which where public domain and creating something more from them. Now in 2006 decades after Walts death his creations are unavailable to today's youth who are trying to do exactly what he did almost a century ago. That is the problem with "eternal copyrights" they remove a source of inspiration and material from aspiring young artist who may have been the next Walt Disney if the Disney corporation had not sued them into oblivion. I have issues with the current life +(what 50 or 75) but I am willing to accept artist want there family to benefit from their work. I think 75 years is long enough though. At some point the copyright stops encouraging creativity and starts inhibiting it. Another good example of this is the current musical art of "Mixing" that is gaining ground. People take pieces of two, three, or more songs and create something uniuque and interesting by mixing them together. Why should thier art be inhibited by a dead man's copyright.
eheldreth said:..... Why should thier art be inhibited by a dead man's copyright.
John Bartley said:Oil - paintings - photographs ..... any difference ????
US Constitution Article I said:To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;
Early Riser said:If I owned a convenience store that I worked with my wife, upon my death she'd still have a functional business ( although all the joy from her life would go with me) to be able to support herself with. Whereas if they were to change the copyright laws to expire upon my death, even if my wife were as much a contributor and partner in my business she'd be left with nothing.
I think that the people who comment about changing the copyright laws so that copyright dies with the artist have never made their living as an artist. They seem to have no idea that someone's art can actually have significant financial value.
I think the objection to the bill is the clause(s) that say, in layman's words, "if I l like and image that I want to use commercially, but I can't find the artist, then I can use the image any way I want." Kind of like a rights grab.I would appreciate any further thoughts or comments on this bill.
Here's a case that, if the bill were in place at the time, this company surely would have said "I couldn't find the artist ..." http://www.blogherald.com/2007/10/22/copyright-cases-to-watch-coton-v-tvx-films/This law would not change a thing in that aspect, but it might embolden some with more resources than scruples to attempt to beat-down the system.
If you want you can find preple. Yellowpages.com lists 44 J Sarff's, including my old address.
I guess the point I would like to make for US based photographers is that you can protect your works for extended periods of time if you register your works properly and plan your estate properly, but it will have to be treated like a business expense and is not something that will be free or cheap (unless you just happen to be a copyright lawyer who is a pro photographer) or easy.
The legislation introduced is NOT intended to displace your normal rights; those are still in place BUT they are up to you to invoke.
If want your images treated as intellectual property, then you have to treat them as such yourself and invest time, money and energy to exploit and protect their intrinsic value, otherwise why should the State run around behind you and pick up your dirty laundry?
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