I'm sorry, you're right!You didn't read carefully.
Even better, - buy 50 and be aware of the variance. It'll take up some wall space though.I figure if you want to see how 99% of folks are going to see an image, buy a cheap $150 monitor and plug that in as your web proofing monitor.
I'm sorry, you're right!
Even better, - buy 50 and be aware of the variance. It'll take up some wall space though.
Even better, - buy 50 and be aware of the variance. It'll take up some wall space though.
Need to buy 50 different brands and models...buy 50 of the same monitor and you get all set in the factory to its fatory-bright and color intense settings, which means that it is set up to look good in the very bright retail store environment so that display units look good!
Yeah, default brightness is always ridiculously high. As you said, sales tactics probably play a role. People are more likely to buy the one that stands out.Need to buy 50 different brands and models...buy 50 of the same monitor and you get all set in the factory to its factory-bright and color intense settings, which means that it is set up to look good in the very bright retail store environment so that display units look good!
Yeah, default brightness is always ridiculously high. As you said, sales tactics probably play a role. People are more likely to buy the one that stands out.
see all of the steps in this image...
Those gradations are of course visible on both my Eizo CG2700X working display and my uncalibrated $150 Acer 'Web Proofing' display.As to the poll...
...so my monitor is not 'calibrated' for precise reproduction of hues
- I have my monitor brightness and contrast are adjusted properly to be able to see all of the steps in this image...
- I do not set up my images in aRGB space and do not send any out to a lab that prints aRGB files on a printer that I wish to match to my monitor
But of course shades of grey are the easy bit ...
I found I get darker prints when using Blurb book printing. I'm sure it is the reason you mention that I keep the display brightness too high.
If someone is just printing JPEG with you, would it be bettter to just allow the camera to do the settings and let you figure out the correct print process procedures, settings, etc? OR do you provide ICC tyupe settings they should use when editing?
I assume the photographer is not aware of this issue and I do make a test print for all prints, also I read the numbers in LAB to make sure everything fits. In my world people will accept my advice on the final print but I am always aware of this problem.
We do not provide info other than Adobe 1998 flattened tiff, 8 bit or 16 bit, as well on my website in the area for inkjet printing I have a box that talks about screen brightness. I believe for all laptops and moniters the brightness is set at max whereas labs like mine use a 60% setting. and this is where a lot of darkening of prints start happening.
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