The analogy to poetry is apt... I've often thought of photography as being its own language. Like language the words can become art, document, novel, poetry, etc.
I think intent is important, but not as valuable as, say, persistence. I consider many of the pictures I make to be art, and many to be snapshots. Sometimes, I intend to make art, but end up with snaps, and sometimes the snaps elevate themselves to art without my really trying. Art is what we say it is (and I daresay, we have Duchamp' Fountain to thank for that notion). For me, photography is often art, sometimes it's just a photograph, and sometimes it's bad art, but still art.
once in a blue moon it is art ... most of the time it is just a photograph
He and his photos were derided by art critics at the time (early 20th century France) but now he's seen as one of the fathers of photography.
The fact Adget is considered as one of the fathers of photography has nothing to do with art but with history of photography.
Everyone has his own perception of what is art and what is not. That is why like others I consider this debate as futile as it won't go anywhere.
Well, Atget is considered one of the fathers of ARTISTIC photography. That is, the evolution from basic portraiture or documentation to subjective and aesthetic images.
The technology was invented before he was born.
It's really well worth knowing the old masters.
hi david
once in a blue moon it is art ... most of the time it is just a photograph
To continue with Atget exemple, the real question is: do YOU consider his work as artistic or not? We can then debate about the reasons you have consider it as art or not but it is another topic.
To continue with Atget exemple, the real question is: do YOU consider his work as artistic or not? We can then debate about the reasons you have consider it as art or not but it is another topic.
Sure, he was a documentarian. But he transcended that and provided his unique vision of the things he was photographing. That's not an easy thing to do.
the museums he sold them to didn't believe he transcended anything
it was "the surrealists" in the 1930s and bernice abbot who grabbed all his
glass plates out of the dumpster and elevated him to "artiste" ... 20-30 years after he made
the exposures and sold the prints to the libraries/museums that hired him.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?