Tom Kershaw
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Many other users have come out of the woodwork with other similar stories since I had my issue. Some people get lucky but it's a big gamble with them.
Thanks. I've bought two new large format cameras over time, a Wehman 10x8 and a Walker Titan SF 5x4. fortunately without issue, and both take completely standard Fidelity or Toyo etc. film holders.
Chamonix cameras do seem to get reviewed positively by owners. I'm not sure if there are any current large format camera makers in the USA apart from Richard Ritter?I have a Chamonix 57N and 810V. Toyo, Fidelity, and Chamonix holders are all working great.
Chamonix cameras do seem to get reviewed positively by owners. I'm not sure if there are any current large format camera makers in the USA apart from Richard Ritter?
The M4-2 is tempting but it's frustrating that they were fairly recently considered $600-1000 cameras.
You didn't try hard enoughI actually can't find one that has a new one in stock.
I'd hope the electronics are different, one is from the 80s and the other is still being made. It's possibly that they're not breaking down in the MP because it's just not as old, we'll have to wait another 2 decades to be sure. Paint, different metal top plate...both just aesthetic choices. M6 top plates are not disintegrating. The VF does seem like the big upgrade. I'm not sure what would make a window better than the ones on the M4. They were also fine then and they're fine now. It's a bummer that so many M6s and 7s are breaking down now. You don't hear about that nearly as much with FM2's and FE2s from Nikon...possibly just because of much greater production numbers. Personally I think the way to go with an M is no electronics of any kind. If a new film M had a fancy matrix meter then maybe that would be cool for dedicated Ektachrome heads but I usually reach for my Sekonic L308S. (As an aside, I use the meter in my Rollei 2.8E more and more. Comparing it to my reflected readings in the Sekonic has actually shown that the accuracy is perfectly acceptable for negative films, assuming it's not being tricked by very bright light somewhere. It's nice to know I'm not stuck if I forget my Sekonic or batteries.)
The flare in the VF is a non issue IMHO. I have no memories of any M4 actually doing so or doing so in a way that impacted my picture taking. If I was having one CLA'd I don't know if I'd even bother having the finder upgraded. People like to talk about it online but come on, it's a nothing burger.
FYI that 'all new affordable film M' is just some click bait story.
Leica sells all the film Ms they currently make. Most shops are back ordered. I actually can't find one that has a new one in stock. With that demand, why would anyone think they would release a cheaper version?
They may have more than one silver M-A in stock but yeah, only one model.Lol. Leica USA, has one silver M-A in stock. Black M-A sold out. Silver MP sold out. Black MP, sold out.
Ok, so the HQ has one.
They sell all the expensive cameras they can make because they don't make a lot of them. If they can secure a way to make a lot of $3500 bodies they'll sell every one of those, and every MA and MP they make too, plus more lenses. More is more. Apple sells every iPhone 13 Pro they make, and they still make the XR.
They've obviously studied their business model and determined this is the best way for them. And I think learned from their Leica CL lesson.
Chamonix cameras do seem to get reviewed positively by owners. I'm not sure if there are any current large format camera makers in the USA apart from Richard Ritter?
Chamonix cameras get positive reviews from their owners because they don’t know anything different.
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