In the digicam market, boo sony,hp and kodak. if you want to get a digican go nikon or canon, i feel ur apin, i finushed my last roll of velviaFlotsam said:But I'm not bitter. I wish Kodak all the luck in the world competing with Sony and HP for a razor thin share of the digicam foto market.
...NOT!
JLP said:Did Fuji discontinue Velvia or is it just Velvia 50?
Flotsam said:I just put the very last sheets of my Kodak Polymax Fine Art Fiber Base Double Weight into the washer. Sad Day. Good session though, I printed a brand new neg and an old one and got a couple of prints that I'm happy with. I think that I'll sleep clutching the empty yellow box tonight for closure. From Polycontrast FB to Polymax. How many years? A heck of a lot of prints under the bridge.
But I'm not bitter. I wish Kodak all the luck in the world competing with Sony and HP for a razor thin share of the digicam foto market.
...NOT!
Jim Chinn said:I assume you have seen some of the recent posts concerning by Bobby Sandstrom discussing finding a substitue for Polymax. I am going to order some new Forte and work with his combination and see how it compares.
Believe me I share your sense of loss. Polymax Fine Art to me was the last of the classic looking papers. Crisp highlights, tremendous Dmax and a tonal graduation that I could only compare to the old 'classic" oriental seagull. And of course as luck would have it my next favorite papers were Agfa (sigh).
But I am no longer going to waste any energy being mad a Kodak. They still make film an chemistry that I use and I hope that the recent effort at providing TMY in ULF sizes is seccessful enough that it becomes a yearly or bi-yearly effort similar to Ilfords LF film runs.
But photographers have always had to learn to adapt going back way before digital. To hear some people pine for the loss of Kodak Super XX film you would think we would be better off putting a bullet in our heads then to go on without it. Portriga, Seagull (original), Velour, just a few of the names that went away and poeple learned to get great prints with new papers and techniuqes.
Lachlan Young said:BTW Velour and Varilour never really went away - they just ran off to Croatia from where JandC found them and started to reimport them - ADOX FINEPRINT is none other than Varilour - a paper for which there is only one aposite word - WOW!!!!!!!!!From what I have seen of images printed on Polymax Fine Art, ADOX Fineprint or Forte Polygrade will be excellent and quite possibly superior substitutes - depends on your particular vision I suppose.
Good luck,
Lachlan
P.S. I wonder If enough people would be interested in getting JandC to get a run made of EFKEBROM Grades 2&3 (essentially Velour Black)...
JBrunner said:ADOX really is a fine "old timey" paper. I've got 11x14 and have been trying to get 8x10 for a couple of months now, so I assume its popularity is building. I hope supply increases.
Flotsam said:I just put the very last sheets of my Kodak Polymax Fine Art Fiber Base Double Weight into the washer. Sad Day. Good session though, I printed a brand new neg and an old one and got a couple of prints that I'm happy with. I think that I'll sleep clutching the empty yellow box tonight for closure. From Polycontrast FB to Polymax. How many years? A heck of a lot of prints under the bridge.
But I'm not bitter. I wish Kodak all the luck in the world competing with Sony and HP for a razor thin share of the digicam foto market.
...NOT!
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