If Chris is using one, there’s hope for the reimagined Polaroid!
The ability to keep the prints in subdued light while they develop has been mentioned both on the packaging and by users posting here. I’m surprised no one’s come up with a gizmo to stash them in while they finish developing. The frog tounge protects the print as it emerges from the camera but what do you do with it in the meantime?
Also, thanks to everyone who has replied. The SX-70 was a major step forward in instant photography when introduced to the public in the early 1079s. Much like the Impossible Projects starts and stumbles, the early films from Polaroid underwent a long period of sparodic improvements. I remember the emulations you could manipulate with a pen or your finger. The new Polaroid films will continue to improve but with the new ecological standards, will always have some shortcomings. I’m not quite ready to run out a buy another let.
I just bought one about a month ago from Retrospekt; they serviced it and converted it to use 600 film. It was not cheap, but it "Just Works" unlike many of them for sale on eBay, and it uses the 600 film, which makes handholding easier in lower light levels. The film is pretty good today; I have shot a ton of it in the last month and have not gotten any images ruined by manufacturing defects. The stuff is quite contrasty; I don't remember the original 600 film made by the real Polaroid company being that contrasty. Like you, I got rid of my Polaroid cameras after the old Polaroid went under. I had an SX-70 and an SLR-690. Wish I'd kept them!
The old SX-70 that you could manipulate was awesome; it was still available in the late 1990s and I did a number of photos with it.
The old SX-70 that you could manipulate was awesome; it was still available in the late 1990s and I did a number of photos with it.
That’s some great work, Chris. Thanks for the photo of less than sneaky cat.
If I’m correct, it was both the original and the Time Zero films could be manipulated. That disappeared when the 600 speed film became dominant.
The SX-70 manipulation I posted was done on the Time Zero film made in the late 1990s. The intro of 600 film in the early 80s ended production of SX-70 cameras, but Polaroid kept making SX-70 compatible film until at least 2000. I was still buying it new then at places like Walgreens.
Sneaky has been a challenge to photograph on Polaroid because the loud sound of the camera's mirror moving makes him move. I've gotten several good ones, though.
I love Sneaky!
If Chris is using one, there’s hope for the reimagined Polaroid!
The ability to keep the prints in subdued light while they develop has been mentioned both on the packaging and by users posting here. I’m surprised no one’s come up with a gizmo to stash them in while they finish developing. The frog tounge protects the print as it emerges from the camera but what do you do with it in the meantime?
After touching an slr690 I can never go back
I presume you mean SLR680 -- the 600 speed compatible, sonar and strobe final development of the original SX-70. I'd love to have one, if only they didn't cost as much as a Speed Graphic plus LomoGraflok plus lens...
Okay, I don't recall hearing about that one. Must not have had a long run. What Google shows, though, seems physically identical to a 680?
Polaroid wasn’t making any money
The SX-70 manipulation I posted was done on the Time Zero film made in the late 1990s. The intro of 600 film in the early 80s ended production of SX-70 cameras, but Polaroid kept making SX-70 compatible film until at least 2000. I was still buying it new then at places like Walgreens.
Sneaky has been a challenge to photograph on Polaroid because the loud sound of the camera's mirror moving makes him move. I've gotten several good ones, though.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?