I posted a thread not-too-long-ago on how "Arts" organizations need to take a half-step back and recognize film - yes, FILM (where you first look then shoot) as a separate and distinct medium from that other one (where you first shoot then look) .
Of course I got the usual nauseating rigamoroll on how "oh It's not the medium - it's the final product...&^%$#@!...."
I think DF meas that going back to film as such is a movement, in the meaning of "Zen of photography".
You shouldn't get extra credit if your boring photos are shot on film.I posted a thread not-too-long-ago on how "Arts" organizations need to take a half-step back and recognize film - yes, FILM (where you first look then shoot) as a separate and distinct medium from that other one (where you first shoot then look) .
Of course I got the usual nauseating rigamoroll on how "oh It's not the medium - it's the final product...&^%$#@!...."
Interesting perspective ! Do you mean when it was cameraless ( photograms lie Anna Atkins )Photography lost when it became cameras.
Interesting perspective ! Do you mean when it was cameraless ( photograms lie Anna Atkins )
and man ray, maholy.-Nagy, kirilian photography, Darwin ( no one knows or talks about ) &c ...
or do you mean something else......
What REALLY got 'under my skin' when trying to get through my photography 'advanced studio' course was trying to answer to the "what does it mean?" question....to which I always responded with "what do YOU see?'. Why does it always have to have a "meaning".. to this day I have not (as yet, anyway) always found meaning' in a well seen, well composed, well made landscape image.
Ken
I think you're right. Photography has long been at the service of commerce. Now people seek to ape commercial mores when there's no financial imperative to do so. Professional has become the buzz word among the 99% who aren't pros. Money is still at the heart of it, but it's at the front end, camera manufacturers and their shills convincing everyone they need gear to emulate a well equipped studio if they're "serious".I think the current "movement" that hasn't been named/labeled yet is the "Graphic Arts" movement, where photography has transformed into something away from literal and even interpretive into something that barely begins with a photographic image and ends up somewhere very different - not a painting, not an illustration, not an abstract or a montage or collage in the way we think of them traditionally but something else.
This is sustained by memes like Real Photographer's Shoot Raw, the cult of shadow and highlight detail and wafer thin planes of focus. The digital file has become a blank canvas on which to write wet dreams. In that context film photography represents a kind of purity, and with any puritanism there comes zealotry. We don't typically want to give our subjects the eyes of a jaguar or make suburban skies look apocalyptic, remove lamp posts or turn our family members chromium.
The term movement suggests something philosophical. In one sense all film photography is reactionary, a craft skills in an age of ruthless impermanence.
I think you're right. Photography has long been at the service of commerce. Now people seek to ape commercial mores when there's no financial imperative to do so. Professional has become the buzz word among the 99% who aren't pros. Money is still at the heart of it, but it's at the front end, camera manufacturers and their shills convincing everyone they need gear to emulate a well equipped studio if they're "serious".
This is sustained by memes like Real Photographer's Shoot Raw, the cult of shadow and highlight detail and wafer thin planes of focus. The digital file has become a blank canvas on which to write wet dreams. In that context film photography represents a kind of purity, and with any puritanism there comes zealotry. We don't typically want to give our subjects the eyes of a jaguar or make suburban skies look apocalyptic, remove lamp posts or turn our family members chromium.
The term movement suggests something philosophical. In one sense all film photography is reactionary, a craft skills in an age of ruthless impermanence.
Folks will create stories, compare narratives (across continents) using same timeline/timestamp,
build out their own, unique story-telling profiles.
Today we are lacking the hardware, the software ecosystem, and the behavioral changes to make the above work.
Those excursions will be called 'moods' (again, just coming up with this as I type.. and they will present a way for an individual to express moods rather than externally visible facts.
So that's my thinking (I have been thinking about this for a couple of years too)
I just joined the forum, and I like the question
This was interesting post (and welcome to the rabbit hole aka photrio..)
I think the narrative style has already in action; for example people send quite lengthy voice/video mesages to friends telling about day or some happening. Add photos to this and we are close to your idea.
Actually this touches me a bit, because I started to publish photos as videos in youtube as a slide show. I have a feeling that the constant scrolling of IG or other social media platform is stressful and maybe the future is well-thought slide show. I've added music to background but maybe I have to try narrative style too. Also I want people to concentrate when watching my photos; you cannot scroll or skip the photos (yeah you can fwd the video but why would you do that..). Maybe my idea is also a statement; either you watch it completely or don't watch it. I wish there was a platform that you couldn't fwd/rewind/etc. like a stream that you can start but that's it. I know this is provocative but it is maybe part of the my "art" aspect.
What kind of hardware do you have in mind if it doesn't exist yet?
Can you open this up, it is interesting idea but I cannot fully get it. I'm totally interested in represting moods.
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