That's where I bought my bulbs. I still get unacceptably long exposure times. Maybe there's something else wrong with my v35 if you use the bulbs from KHB and your exposure times are reasonable. My prints look fine but the long exposure times are a bit annoying.I have a V35.... I buy my bulbs from http://www.khbphotografix.com,.... he's an enlarger expert.
If you like it and think the price may go higher then keep it. I personally don't like it.Yeah. I know I am in two minds. On the one hand I like it and it will probably get more expensive over time, and I have enough a few spare bulbs. On the other I know I am a bit of a hoarder, and I ask myself do I really need two enlargers if the Durst can cover it all. Tough. And annoying thing is that the price of the Durst seems to have doubled since I started trying to buy one in March.
If you do sell it, then later - when (not if) you regret, and buy it again --> write here:
https://www.photrio.com/forum/threa...eras-lenses-that-you-have-sold-before.146154/
If you have the space, having two enlargers (or more) can really make sense. It is great to be able to leave one of them in high position for large prints. Each enlarger has it's own character, probably this is mostly about the lamp heads, the condenser and the lenses. One enlarger may solve a printing problem you have with the other enlarger. Sometimes I go from Focomat IIc to the Durst L1000 (wall mounted), because I fight with the automatic focus system of the IIc. The L1000 is like a Valoy II, you can use any lens. Sometimes, for 135mm, I go from the Focomat Ic to the Focomat IIc because even illumination is critical.
If you like the V35, keep it !
I don't have a space for a permanent darkroom. It gets setup in the bathroom on a need basis.
I don't have a space for a permanent darkroom. It gets setup in the bathroom on a need basis.
The day my Focomat wont’t be used as an enlarger, I will use it as a decoration and conversation piece. There is not a single reason in the world as to why I should keep a plant over my focomat. They basically almost occupy the same footprint.
I've a V35 with the adapter by Leitz but with the “old“ mixing box and I'm not convinced by the evenness of that box... The corners aren't as well exposed as the middle of the print. For the rest it's a good enlarger. But until I haven't found a new mixing box, I'm printing critical negatives with my Durst M605 enlarger.
Ironically, that is the bulb that the LPL colour and VCCE light sources for the 7700/570 DX enlargers are designed around.Here's the bulb info - EFP , 64627 HLX 12V 100W 3144880 Projection Bi-Pin Base Bulb JCR12V100W/G1 EFP Bulb
The v35 is spec'd to take a 75W bulb. Any issues running a 100W bulb like this one?Here's the bulb info - EFP , 64627 HLX 12V 100W 3144880 Projection Bi-Pin Base Bulb JCR12V100W/G1 EFP Bulb
The v35 is spec'd to take a 75W bulb. Any issues running a 100W bulb like this one?
II'd assume using a 75W lamp for 45 or 60 seconds (my previous exposure times with a different replacement 13139 lamp) would be higher risk of heat damage than using a 100W lamp for 10 seconds. I'm not an electrician either, but there is reference to using a 100W bulb ... so I didn't think it wasn't particularly dangerous, especially given the short exposure times.
The v35 is spec'd to take a 75W bulb. Any issues running a 100W bulb like this one?
Right, that would concern me. I guess my v35 will continue to be a dust collector until I can find a suitable replacement bulb.25w is a small difference, but the light mixing chamber is made from styrofoam so there is definitely a risk of warping and separation of some glued parts.
Kind of what I said in Post #4..So, pick your Durst and start hunting, Assuming that you can find the bits and pieces required to set it up as you wish, then use it side by side with the Leitz, and sell off the Leitz if you find you are not using it.
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