Of the 2 focal length ranges, I would also recommend the 90mm focal length (unless you want to spend the large sum of money on the 80mm Schneider Super Symmar XL that Robert is now using). As to the question of distortion, mentioned by Harrigan, these lenses should not suffer from distortion (they should have rectilinear correction at least for newer designs). Instead, what I believe that Harrigan is suggesting is that the lines are exaggerated perhaps due to the focal length (equivalent to between about 24 and 26mm in 35mm format), but they should be parallel. The 90mm lens will also prove valuable for interior architectural photographs, but you may also find the need for a 75mm (or the 80mm focal length mentioned) lens.
Rich
General comment: I don't do architecture work, but it seems to me that if you concentrate solely on the cost of the lens for this type of work, you will be greatly disappointed. Architecture requires discipline, creativity, but also requires good lenses and other equipment.
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