I did a full test of the RF70 https://www.instantphoto.eu/other/mint_instantkon_rf70.htm and no, the 300 is not good enough at all. Already the old 500 AF was better and there are quite some more better Wide solutions on my website. The RF70 can even deal with the reprocity problem quite well
I would wish at least a Fuji Wide camera comparable to the Neo 90 Mini. The Neo 90 gives very good results.
How does the Lomo Wide offerings compare?
No, I did not compare them directly. There is not much to focus on the 300, just 2 settings. The RF 70 has a rangefinder. The lenses are not comparable either, but so are the prices.
The Lomo Wide has 3 distance settings. The lenses of the Lomo and the 300 are both not very good, each has its ups and downs. But the Lomo has exposure compensation and it has long shutter speeds. So you cam make night photos with the Lomo, no way to do so with a 300.
As I have several cameras that use the superb Mamiya Univeral lenses, I nearly don't use the others any more...
I would wish at least a Fuji Wide camera comparable to the Neo 90 Mini. The Neo 90 gives very good results.
They all have the same desing, two plastics elements in two groups. Perhaps it is the smaller format what makes you think Neo lens is better.
I find Wide lens sharp enough when focus scale is used properly (I carry with me a small Watameter rangefinder to check distance). The main problem for me is that the aperture is too small and background gets black very easily in portraits, for landscapes is useful only with good light.
On another topic, the more I experiment with Instax Wide, the more I miss peel-apart film like FP-100C.
Could you elaborate? What exactly is the correct distances for each setting?
How do they differ apart from speed, size and the marginal predictable increase in resolving power (speed is three stops higher with the Instax product) of 15 lines pp. mm?
There are only two focus settings: from 0,9 to 3 meters, and from 3 meters to infinity. The first setting works quite well from 1-2 meters, and the second setting is to use as indicated from 3 meters to infinity.
The Wide 300 includes a close-up lens attachment for 40-50cm distances (selfies) in 0,9-3m setting. I have a Wide 100 that does not include this feature so I can't comment about it.
I see quite a few reviews of the RF70 but not really a full test and talk about its main selling point, the lens and the ability to do arbitrarily timed exposures.
Instax resolves around 10 line to 12 (B&W) per milimeter according to Fuji Film.
Is the doublet, with a high aperture really not good enough for Instax?
No, I did not compare them directly. There is not much to focus on the 300, just 2 settings. The RF 70 has a rangefinder. The lenses are not comparable either, but so are the prices.
Some years ago friends of mine did a "camera-hack" with one of the first Lomo instax wide offerings, and adapted it to a 4x5" LF camera.
The resulting pictures were amazing!! The quality of the results - sharpness, resolution, bokeh - was so much better compared to the Fujifilm instax wide cameras. And it clearly showed the big potential of the instax film! Combined with a good lens the results come quite near to FP100c packfilm.
I am using the instax wide 210 camera for more than a decade now. And in the range of 0.9 to 3 meters the results are often quite sharp and nice. And you see the potential of the film. And after I have seen the results with the LF lens, I definitely know that instax film can really benefit from using a good lens. And that the current Fujifilm camera offerings are not exploiting the film capabilities at all, unfortunately.
So I am still looking for an improvement, and have an eye on the InstantKon RF70.
Best regards,
Henning
The pictures from the RF70 are indeed significantly sharper. My scans are all without any correction or post-treatment unless indicated. But it all depends on the intended use.
In good daylight, but no strong sunshine, the Fuji 300 can deliver nice results. But only then. In glaring sunshine on the beach it over-exposes terribly. On dull days and in deep shades it under-exposes. Darken/lighten will not help really. No way to make night photos. Flash snapshots are acceptable up to 2m.
The LOMO Wide has a much wider range seen its shutter and its 2 apertures. So it gets it right in more situations, strong sunshine or dark shades. Its night photo capability is really great. One would wish a better lens and an aperture preset. Flash snapshots are quite OK.
The RF70 has got it all. A good shutter/aperture, a much better lens and a rangefinder which is precise on my camera. Since an update the exposure system can even cope with the uneven ISO of Instax film. Instax is 800 ISO in average situations, it's 1600 ISO in bright sunshine and only 400 ISO in dark situations. Knowing this you should compensate with other cameras, the RF70 does it on its own. You can attach any flash you want unless you have the cable adapter (one would wish either a PC socket or a hot shoe). The only snag is the price which is fine in my opinion seen that you get a new camera (made from scratch) with a 5 year warranty. Folded it is really small.
Since an update the exposure system can even cope with the uneven ISO of Instax film. Instax is 800 ISO in average situations, it's 1600 ISO in bright sunshine and only 400 ISO in dark situations. Knowing this you should compensate with other cameras, the RF70 does it on its own.
Thanks for sharing this information! I don’t mean to hijack this thread but could you elaborate on the update to the exposure system you spoke of? I got an RF70 second hand a few weeks ago and have enjoyed using it but have also been struggling to get consistent exposures outside while metering with my Sekonic L558.
I only learned a few days ago Instax ISO isn’t a consistent 800 ISO. I started metering at 1600 ISO in bright daylight and got better results, but am still struggling to wrap my head around it.
Mint released first a "founders edition" for those who subscribed. This one has no compensation. I struggled with inconsistent metering and, as others, let them know about it. So the second production batch had the metering system updated. As my original camera's ejection system failed, they sent me a replacement camera from the second batch. Their service is impeccable.Thanks for sharing this information! I don’t mean to hijack this thread but could you elaborate on the update to the exposure system you spoke of? I got an RF70 second hand a few weeks ago and have enjoyed using it but have also been struggling to get consistent exposures outside while metering with my Sekonic L558.
I only learned a few days ago Instax ISO isn’t a consistent 800 ISO. I started metering at 1600 ISO in bright daylight and got better results, but am still struggling to wrap my head around it.
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