why no Konica?

[msbarnes]

I hear a lot about Canon, Nikon. Olympus, Pentax, Minolta and ofcourse some Leica and Contax/Yashica every once and a while. Some exotic swiss/german/soviet ones too but the major player that I never hear about is Konica!

Why is this? Did they neglect their SLR systems back when they were thriving? Were their SLR systems just bad?

I mean their RF's and point and shoots rivaled some big names and some believe that they were even better than their competitors: Hexar AF vs Contax G, Hexar RF vs Leica M, Konica Auto S2/S3 vs the rest of the FL Rf's. The Hexanon glass is supposedly first-rate in the Leica M world too in optics and build.

 

[Chrismat]

I don't recall seeing or hearing very many Konica ads during the heyday of 35mm, maybe they were more popular in Japan then in the U.S. I have used both their slrs and rangefinders and their lens quality is top-notch.

 

[fotch]

They lost in the popular vote, called the marketplace. Lots of good cameras and other gear had the same results.

 

[r-brian]

Some of the Konica lenses were reportedly as good, and even better, than the similar aged Nikkors. Konica just never attempted to develop a pro line of cameras.

 

[mablo]

Konica Hexanon AR lenses are hidden gems. Last summer I stumbled upon a nice Konica Autoreflex T3 set with a Hexanon 50mm/1.7 and a 28mm/3.5 lens. I don't like the T3 body that much but those Hexanon lenses are fantastic. It's a shame you cannot use Hexanon AR lenses with any other film camera.

 

[Ian Grant]

Konica and Fuji were amongst the first of the Japanese SLRs and good rangefinder cameras imported into the UK, but neither really took off like Nikon and Pentax and later Canon.

Ian

 

[henry finley]

With Nikon, it was the size of the system I think.

 

[Jesper]

The Konicas that I have come across use mercury batteries no longer available, though I haven't seen that many Konicas (SLR).

 

[vpwphoto]

Some camera brands just do not get any respect. Packard was, in my opinion, a better car than Cadillac but Packerd is dead and Cadillac limps on.

Packard was also better in many ways than Rolls Royce.... the fell behind in sales/profits/reinvestment and the rest is history.

 

[Vonder]

I have a good collection of magazines from the 70's and early 80's and Konica has plenty of ads in every magazine. They misfired though, on things that didn't matter at the time, like hyping their built-in motor drive when they were the only one that had it. Every other camera made, up til then, had an add-on winder so it wasn't the cat's meow Konica thought it was. I think too, they failed in that camera stores had to limit what they sold (except the giant stores) so Konica just plain got left out. Towards the end they stopped building their own bodies and farmed them out, and those bodies were real stinkers compared to reliable workhorses like the Autoreflex T3.

The glass is top notch. I love hauling my Konica's out for fine B&W work.

 

[DWThomas]

I purchased a Konica FP SLR (vertical travel metal focal plane shutter, 1/125 flash sync -- oooh wow!) circa 1963 and it was a pretty awesome machine -- at least, after an Argus C3! It was purely manual and served me well to around 1980/81 when the shutter started acting up. Somewhere during that period I bought my dad a Konica rangefinder with auto exposure that was great optically but broke down in a disappointingly short time. No idea if that has anything to do with anything, but my impression is the brand was never around in the sort of quantities sold by Nikon and Canon.

I still have the FP but have never worked up the urge to try and get it repaired, assuming it is even possible. I'm pretty sure the lenses predated the 'AR' series, but I recall the 35mm 2.8 and the 52mm 1.4 being impressively sharp.

 

[Nick Merritt]

Top quality stuff, the lenses especially, which are indeed of a very high standard. I saw them described once as "engineering driven" rather than "marketing driven," meaning that while they were quite innovative (first autofocus camera and first autoexposure SLR, for instance), they just expected everyone would beat a path to their door.

 

[Jeff Kubach]

I like their IRfilm.

Jeff

 

[henry finley]

I like their IRfilm.

Jeff

What IR film? News to me. Why do you like it?--that is to ask if its more an IR film like Kodak's used to be, or is it more like the ones that is only some small portion of IR sensitive, requiring a totally opaque filter and 40 stops of opening up the lens to get any infrared value out of it? You used to only need a 25A with Kodak to have a nearly 100% infrared film. Now that they are gone, I'd be all ears to hear a suitable replacement.

 

[steven_e007]

What IR film? News to me. Why do you like it?--that is to ask if its more an IR film like Kodak's used to be, or is it more like the ones that is only some small portion of IR sensitive, requiring a totally opaque filter and 40 stops of opening up the lens to get any infrared value out of it? You used to only need a 25A with Kodak to have a nearly 100% infrared film. Now that they are gone, I'd be all ears to hear a suitable replacement.

Konica USED to make an IR film - or maybe it was made by someone else and badged... I don't know.
It was a near IR film, like Ilford SFX - but it was based on a very fine grain film, so quite slow, but very fine grained. It was a superb film for IR portraits and figure work - it did amazing things to skin tones. I miss it

 

[henry finley]

oh, I thought you guys were talking about something somebody still makes.

 

[Newt_on_Swings]

AiBORG

 

[lancekingphoto]

I obtained several expired rolls of Konica 120 IR film a couple of years ago. It had expired around '93, but some of the rolls developed very nicely. I shot it using a red 25A filter, and developed it in D76.

I'm definitely a Konica camera fan, and have a couple of bodies (TC-X and an Autoreflex T3), and a number of lenses in my collection. I've noticed that the Konica groups on Flickr seem to be dominated by Asian shooters, so I suppose they were more popular outside the US. Konica glass does seem to be especially contrasty, in a good way.

 

[Paul Howell]

Konica had an excellent line up lens, all of which are very sharp. Several Japaness fans claim that the Japaness Government used Konica 50mms as the bench mark for evaluating all 35mm lens. I bought my first Konica T in 1969 with a 50mm 1.2, it was perhaps the best 50mm I have ever used. In 71 I traded in the T for a Nikon F because I needed a motor drive. The Ts have flash sync at 1/125th and full information view finder. The T 4 added a winder, not full motor drive, slowed the flash syn to 1/60, the FS and other bodies with build in winders were slow, did not have full information in the view finder, and I dont think were as rugged as the Ts. In the past couple of years I have collected a number of Konica bodies and a hand full of lens. I have tested the 50MM 1.8, 1.4 28 3.5 and 135 3.5 and 200mm F 4, the 200 is not the pro version. My testing shows all to be very sharp, as sharp or sharper than my Pentax M 42s and Canon FD primes I had. I use hearing aid batteries in the T3, meters well.

 

[idleroux]

My grandfather was an avid nature (mostly flower, some bird and general wilderness) photographer, and consequently put together a large macro- and long-lens system around an Autoreflex T2. I rescued it from his basement a couple of years ago and have been gradually getting it back into service for my girlfriend, who is also fond of macro. I've been favourably impressed. The shutter release isn't as nice as my Pentaxen, because part of the auto-exposure mechanism is driven by the initial press of finger on shutter button. The same is true of the Olympus 35RC, and, I expect, other early electro-mechanical auto-exposure cameras. In other respects, though, it's a solid and comfortable camera with lenses that I've never heard any complaints about. I certainly don't have any.

I've already got a 35mm SLR system and don't need another, but otherwise I'd cheerfully keep and use the Konica.

 

[elekm]

I've owned a couple of Konica SLRs. Nice cameras but nothing to distinguish themselves and push them ahead in a very crowded field.

I still have a Konica Autoreflex T - a full-size all-manual camera.

 

[horacekenneth]

how about Konica film? What happened to that? I didn't even know they had made film until about a week ago I bumped into some Konica IR stuff in a darkroom fridge.

 

[Les Sarile]

I've owned a couple of Konica SLRs. Nice cameras but nothing to distinguish themselves and push them ahead in a very crowded field.
I still have a Konica Autoreflex T - a full-size all-manual camera.

To distinguish it from the other SLRs, it had shutter priority auto exposure. As I understand it, this is the first SLR with autoexposure. Canon introduced a shutter priority SLR in October 1969 with the EXEE but that had a dedicated screw mount with only interchangeable front lens element. The Pentax ES aperture priority SLR didn't get released until 1971.

The other cool thing with the Konica Autoreflex T's shutter priority auto exposure is that it works with all shutter speeds when batteries are dead. Until the release of the Nikon FM3A in 2001, all autoexposure cameras of the aperture priority type, had limited shutter speeds available when batteries are dead.

 

[OzJohn]

The other cool thing with the Konica Autoreflex T's shutter priority auto exposure is that it works with all shutter speeds when batteries are dead.

Not quite right. The Konicas, like most SLRs of their era, do have a fully mechanical shutter so they can be used in manual exposure mode with flat batteries but not in auto mode for the simple reason that any sort of auto exposure, shutter or aperture, has to reference an exposure meter in order to set the variable and the meter, of course, does not work without the battery. OzJohn

 

[Les Sarile]

Not quite right. The Konicas, like most SLRs of their era, do have a fully mechanical shutter so they can be used in manual exposure mode with flat batteries but not in auto mode for the simple reason that any sort of auto exposure, shutter or aperture, has to reference an exposure meter in order to set the variable and the meter, of course, does not work without the battery. OzJohn

To clarify, all cameras with any automation loose all automation when batteries are dead. All the aperture priority cameras of the era would be useless with dead batteries. Some only have a an X-sync speed and B mode available and only a handful have a portion of their shutter speeds available when batteries are dead. OTOH, the Autoreflex T has all shutter speeds available when batteries are dead and of course no shutter priority autoexposure. So when the electronics die, it can still function as a fully manual camera.