I really love shooting with my olympus xa. IQ is super high for the size of the camera. biggest issue is the dim rangefinder patch, which makes it mostly a scale focus camera half the time for me. so i'm thinking of selling it and getting the XA2. but the grii/iii also looks like an attractive option, similar sized camera albeit digital. mirrorless cameras are like rf's, they don't have a mirror and can take leaf shutter lenses. what's preventing someone from making a FF digital camera similar to the size of the XA? I'm not talking about smaller apsc cameras like the griii. I feel like it would be a huge hit. is there something about film cameras that make FF easier to produce with a smaller body?
good pointbut it’s not FF. basically i’m saying RICOH OR OLY PLEASE DO A FF GR/XA
OT, and just in passing: this has solved 'dim rangefinder patch' for me: http://rick_oleson.tripod.com/index-165.html... biggest issue is the dim rangefinder patch, which makes it mostly a scale focus camera half the time ...?
A full frame digital camera has a lot of other electronics, processing hardware, buttons/controls, battery, and of course a large LCD screen on the back that make it larger than the smallest 35mm cameras. The film camera off-loads some of the complexity and size of sensor and image-making onto the processing lab, so to speak.
To give an example comparison, a Sony E-mount APS-C camera like the NEX-5 has a body that is about as tall and deep as the XA, and a couple of cm wider. Once you put a lens on it, even a pancake single-focal-length lens, it also gets deeper than the XA. Of course you can ask why a manufacturer doesn't make a APS-C or FF digital camera with a fixed small prime lens, a couple of control wheels, and leaving out all the other stuff. I'm not an expert on the full universe of digital cameras, but I think that's closest to a Fuji X100 or Sony RX-something. So probably the answer is that it doesn't get smaller than those cameras. Also that if manufacturers made them any less-featured, slower smaller lenses, etc, customers would complain and go elsewhere.
Lastly, even if you scale focus an XA, it's still a bit higher spec than an XA2 (a fine camera but only has 3-zone focus, no aperture control, and a lower-spec lens).
I've seen plenty of digitals that are similar in size to my XA -- but they always have more features.
I like my Nikon EasyPix 5600. Same size as the XA, uses two AA batteries, and has a 35-105mm zoom with a zooming viewfinder -- in addition to a small rear LED screen. It's designed to be automatic, but exposure, focusing, etc. can be adjusted. It can't match the XA for quality of BLOW-UPS with fine-grain film, but it beats the XA when it comes to features -- and it even does videos.
I don't want all of that though...
I didn't either, but I got mine at GOODWILL for $3.
Some problems:
1. Fitting both a full frame sensor and a rangefinder and the other digital components into a body the size of an XA isn’t feasible. And even if you were able to, your battery life would be pitiful because the battery would be so so small.
2. A fixed lens compact is a specialized product. There’s no getting around this. 1970s fixed lens compacts were made cheap for the mass market. Zoom lenses were expensive to make and they sucked. But production costs have come down and now the equivalent to a fixed lens compact - when it isn’t just a cell phone - is a Canon or Nikon entry level APS-C DSLR and a couple kit zooms from Best Buy or Costco. The kinds of buyers who were buying Olympus XAs and Canonets when they were new are expecting high megapixels and zoom lenses today that they can shoot their kids’ soccer games and birds when they go camping. I find it hard to believe that a fixed lens compact - let alone one that companies would want to invest with a full frame sensor - would sell in enough volume to be much cheaper than the Ricoh GRIII and X100V are now.
3. The barriers to entry for a new camera company are much higher than they were was during the 1970s. Back in the 1970s you just had to design a box that the film would run through. Today you need precision electronic components. And the fact is, there are very few companies making digital sensors. You have Sony, Tower Jazz and who else? Is Kodak even still making sensors for the consumer market?
The state of the market and technology have changed too much to make an XA with the same size, optical viewfinder and full frame sensor, let alone one that doesn’t cost less than $2000 USD (and nobody is making a fixed lens full frame camera for less than $3000 USD). The ship has sailed.
That's part of it, but you might notice I gave three detailed reasons. Tech isn't all of it and solving the technical problems alone will not make it happen.So you're saying the tech is holding us back at this point.
I wish you the best (I'd love to see something like this too) but I'd pick up an X100 or GR of some kind and not hold your breath. There are pictures to be had out there!I'll be there waiting.
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