The newer 35mm film AF SLR cameras are quite complicated with all these tiny nobs and dials that have nothing to do with firing the shutter! I've never had any patience to figure out what each setting really does, so I've never owned one.
Since my main interest is portrait photography, and I always focus on the nearest eye of the sitter, I would personally find autofocus about as useful as an ashtray on a motor bike.
It is very rare that autofocus is really off. The only time when it really fails in low light conditions, or with a lack of contrast. And by lack of contrast I mean a blank peice of paper, and texturless white wall and other things with absolutly no detail. Try using a rangefinder on such a subject. Of course this may be different with a different lens system. And early systems (and many of Canon's prime lenses) using micromotors and the like can be slow. (Watch painfully as the Sigma 105mm f/2.8 Macro slowly focuses to 1:1 and the slowly focuses farther until it's focuses on your subject. Not a lens to use for autofocus.)"Usually" and "most" - there's the rub!
For me, it's in the same bracket as automatic exposure (or even automatic transmission in cars!)
The purist, I suspect, will always want to have full control over what his machine is doing, but perhaps with some types of photography (sport, reportage, nature, etc.) that "full control" includes the option to decide to use auto-everything!
Steve
Not neccesary true. Pentax MZ5 is very basic and "oldfasioned" in handling and The Nikons I own are... yes ok... more complicated than a FE but not so much that you have to read the manual to start shooting. The basics are still straightforward. You can easily set it to M and MF and shoot away. The Canon T90 was as complicated if not more and that was a manual focus. There are lots of modes and gimmicks that I never use but I still find the ergonomics, handling, balance and viewfinder of my F100 or F90X better than the FE2. Zooms in generel lacks the DOF scale but all my AF lenses has one. It might be better on AIS lenses than on AFD lenses but still it comes down to routine and knowledge to get it right. Offcource AF fails sometimes but so does MF, at least for me but then again my eyes are not those of a falcon.
I wouldn't dismiss either AF or MF both have their forces.
Cheers Søren
Try using a rangefinder on such a subject.)
And autofocus would lock onto the crack in the wall. However, your not very likely to want to focus on a textureless wall. After all, textureless white walls don't make very interesting photographs! My point being that AF will lock onto a subject in real world conditions with good acuracy.If the white wall as got a faint crack in it or a decent-sized bug on it I can focus on it. You may not want to believe that the rest of us know what we're talking about, but you might be surprised...
Cheers,
R.
My point being that AF will lock onto a subject in real world conditions with good acuracy.
Originally Posted by reub2000
My point being that AF will lock onto a subject in real world conditions with good acuracy.
Everyone else's point being that they've had enough times when it won't.
Cheers,
R.
I see a lot of posts here saying it's more ccurate, manual ofcus lenses are cheaper and more durable, etc.. To me it's more about the fact that im doing it manually. It adds to the feeling of achievement when getting a picture just right. You know you set it up yourself, there were no programmed/automated processes involved. I guess if you're a professional photographer, all that matters is the end result. To me it's the process. I might not get as many pictures or as fast as i would with an auto focusing or auto anything.. but i still get to know i set everythign up just like it should be when i get a good pic.
I posted before that I use AF unless the AF starts searching and then I switch to MF. I forgot to add that may be I do not have enough experience with this to comment since I only shoot 50 rolls of 35mm a year plus varing amounts of 120.
Steve
Dear Steve,
I generally prefer to get the picture before I find out whether or not AF will let me take it. Like you, I don't shoot that much: probably 5,000 to 10,000 frames in an average year.
Cheers,
R.
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