One version I had heard was that Eastman had purchased a French made slitting device intended for Cigarette papers which yeilded 70mm wide strips. either Edison or Eastman then slit the resulting film in half giving 35mm. most of the other dimensions were then set just to get the thing to work. Presumably that also resulted in te 1 foot a second (16FPS) standard that was roughly followed until the sound era required 24 FPS to get suficient speed to record sound.while not really addressing the OP's original question and following on from cmacd123's reply, the old tall tale of Edison asking Eastman to make film for his camera/projection equipment goes something along the lines of Eastman asking, "how big did he want the film?" And Edison holding up his thumb and forefinger in reply, saying, "about this size."
Why most Ilford printing paper has not the 3/2 ratio in dimensions like of a 35mm film ( 24mm x 36mm)
If the threads in Photrio are any indication, most photographers crop, so having papers which match the aspect ratios of films may not be any better than having the historic paper sizes we have now.
Paper sizes have evolved from the master sheet sizes that paper mills produce. Ilford doesn’t make paper, they just coat and cut it down from what they get from the mill. Sizes usually become standards because that is what can be economically cut from those master sheets or rolls with the least or no waste.
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So it doesn't make any difference what size paper comes in -- I'm going to cut it, one way or another.
Hi,
Why most Ilford printing paper has not the 3/2 ratio in dimensions like of a 35mm film ( 24mm x 36mm)
Except the paper 10 mm x 15 mm.
thank you
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