I'll have to try that. I'm ususally too busy talking to my self....paul owen said:Without sounding cliched or corny ... don't you just love that moment, a second or two before you fire the shutter, when you can gaze around at the scene you are about to capture and the world seems at peace?
rbarker said:Brad - you forgot the "plunge :confused: plunge, :confused: - Oh, damn, I forgot to close the shutter after all!" part.
arkoshkobash said:I don't have the patience for large format very often, but sometimes I like the bigger prints, and then it's worth it. Developing the big sheets with the green light is fun, but it makes me a little nervous, because the film is so expensive. Also, my big prints usually just sit in a box in my room, but I can carry a stack of little square prints in my pocket, and show my friends. I usually end up giving most of them away, but I have the negatives, so I can make more, if I want. I love my little twin lens, and carry it with my everywhere, but I think that someday I'll slow down and do more large format stuff.
Ole said:Make contact prints! 4x5" contacts fit nicely in a pocket
arkoshkobash said:I had to make a diorama for a class, so I made an art gallery, and hung my little square prints in it. Everyone liked it so much, that we've held several "shows" there since. It's really amazing how those little prints convey a sense of scale. They really look huge! I sold out my first show @ $1/print. A critical, and commercial success! Now that I've sold out my first show at a "small, local gallery", I'm seeking representation in larger markets. Please direct inquiries to my agent.
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