I prefer pearl finish for most RC prints. Glossy finish (Ilford MG RC) is just too a bit too "shiny" for my taste.
In fiber paper, glossy is perfect when air-dried.
My plan is to get a bunch of different types of paper and try them out. Well eventually.
Sounds like a good plan. Do I use pearl and what do I think of it? Sorry this is a subject I never talk about. It's like the painted portrait I have of myself in a locked room in the bowels of my Gothic Castle in deepest Ruritania .It ages while I stay permanently young. Damn, you've got my secret out of me and I vowed never to talk about it or Pearl
pentaxuser
Maybe that surface is regarded here as amateurish?
Ilford Pearl was the surface I started printing with.
I prefer pearl finish for most RC prints. Glossy finish (Ilford MG RC) is just too a bit too "shiny" for my taste.
In fiber paper, glossy is perfect when air-dried.
Pearl is my favourite of the surfaces available on the RC papers I prefer.
Although Satin has its advantages.
You might not see many references to Pearl because some of us grew up on the "N" or "semi-matte" nomenclature, and some habits are hard to break.
I agree though that air dried FB glossy is fairly similar to pearl.
I used to like it when I was younger and printed on RC paper. I haven't used it for ages, but if I started printing on RC again, I'd consider it. I suppose that people who still print in the darkroom might prefer the deeper blacks of glossy paper, but if having a range of different surfaces was part of their process, they might just go inkjet.
In a separate post yesterday we were asked about Matt paper (and contrast). The major problem is that surfaces matt, pearl and even glossy vary quite markedly between manufacturers and well as between RC and Fibre based papers.
I very rarely us RC papers but printed on some Adoc MCC or Foma RC Pearl paper recently and the finish looked more like air dried Glossy Fibre based paper than the Ilfospeed RC Pearl paper I'd used in the past.
You really need to see samples before making your choice or buy small packs to try.
Ian
Ilford RC Pearl is my first go to paper!
Occasionally I will use Ilford FB Matt or RC Lustre or like at the mo, Fotospeed Oyster, which is very similar to Ilford's RC Pearl..
As said, one really needs to either buy a few boxes of different surfaces and brands or stick with one initially like Ilford, and get their swatch book = money well spent IMO, as not only will it show you various surfaces but also give you some quality prints to compare ones own against, especially when starting.
And then it really is horse for courses and what you think a picture will look better on, and for me, 90% of the time RC Pearl is fine.
Terry S
“The Picture of Dorian Gray” no less
Maybe that surface is regarded here as amateurish?
Ilford Pearl was the surface I started printing with.
"It seems like pearl paper is a great compromise between matte and glossy."
It is, but....
I dislike Ilford's take on the "Pearl" surface texture. There's something about their RC Pearl surface that says "This will suffice for proofing images, but isn't right for finished work". There's nothing wrong with it, per se, but when I was in school in the 1980s it was what was recommended for the beginner level students, and so for me it has that value judgement attached. I suspect many have had similar experiences and have come away from it with a similar attitude.
He he, amateurish is a hard term.
A handy shot printed from young ladys as "miniprint" in drogstores from thereselfes with stylish color frame around is amateurish.
with regards
PS : Pearl surfaced paper is a question
of personal preference.
As it was totaly new (remember it from the sixties) I was a great fan of it.
with regards
Swatch books are also made by Ilford, I got one a year ago from KHB Photographix in Canada. For RC paper my first choice is pearl because RC glossy is mirror-like. In FB paper I prefer the glossy finish air-dried, which produces a pleasing soft gloss.
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