After looking at your results, I would not come to the same conclusion. Comparing the unsharpened results, the Howtek scans were significantly more detailed than the Epson. After sharpening, the Epson results were considerably improved. I guess you could say the sharpened Epson result compared favorably to the unsharpened Howtek result, but I think it would have been more relevant to compare sharpened to sharpened.
After only a brief search, I was unable to find anyone selling new Howtek scanners. Are they still in production? I did see a spec sheet indicating they require a SCSI connection, so I'm guessing the Howtek drum scanners are another remnant of the glory days, now facing extinction?
At least Epson is still selling a flatbed scanners, and for that we should be thankful. For 4x5" photographers, I suspect the Epson V850 is still a good choice. But maybe not so good for 135 photographers(?) I don't really know.
how many people actually need more "resolving power" than that?
About getting a large resolving power question... I'd approach it as a data preservation and archivist perspective. If there is a scan with real resolution and detail, ie. grain is well resolved; that is appreciated.How many people need the photos most of us take to begin with? That sort of question goes nowhere.
That should be updated for Fujichrome! Kodak are actually doing a good job availability wise, and I see Ektachrome in stock (Europe) quite a bit, and yes, never below $20 anymore...So the photo bug goes to the film store to buy a roll of Ektachrome 100 and asks "How much is it?"
Koraks hit the nail on the head! I have the V850 version and a Nikon LS8000. The V850 Epson gives the LS8000 and good run for the money with 120, but can never catch up to it or pass it. In 35mm the Nikon LS8000 is superior in all respects. Of course the Epson V850 trounces the Nikon LS 8000 when it comes to 4X5 and 8X10 film scanning.I honestly don't know why people moan about the quality of flatbed scanners. I have a V750 that I bought in 2012 and it is excellent. I regularly scan 120 film up to 8x10 film, and from the latter I get huge files up to 1.8gb that are spectacularly sharp and contain every atom of information I could ever need/want for further processing. I can't imagine needing anything better.
Caveat: I only scan B&W negs, so my work may be different from yours.
You might want to check to make sure Epson is going to continue with the Epson V850. There are many rumors around about the "end of the run" for the V850.A good outcome of this thread is that I now know Epson continues to manufacture the V850. Had seen the rumors of its discontinuation early in the year.
Koraks hit the nail on the head! I have the V850 version and a Nikon LS8000. The V850 Epson gives the LS8000 and good run for the money with 120, but can never catch up to it or pass it. In 35mm the Nikon LS8000 is superior in all respects.
I do believe that most film photographers also own a digital camera and can go down that route for "scanning". Those starting out probably get a lab or a more experienced friend to scan for them. I develop and scan B&W films for a few friends in their early twenties.
I would imagine the next move in the "scanner" market will be more compact solutions for "scanning" via DSLR or other suitable digital cameras...with a small handful of genuine scanners on the market becoming more expensive.
Yes, it's at the cottage and so am I. I posted that it was not working and that I had tried fixing it, but with no luck. I went without it for a while and then decided to try the Epson V850/GT-X980 until I could get the Nikon LS8000 fixed. Then I stumbled on a clue as to what might be wrong with the Nikon LS8000. I tore it all back apart and viola, did the fix and it's now running better than before.pity your LS8000 is still in the cottage!
Yes, it's at the cottage and so am I. I posted that it was not working and that I had tried fixing it, but with no luck. I went without it for a while and then decided to try the Epson V850/GT-X980 until I could get the Nikon LS8000 fixed. Then I stumbled on a clue as to what might be wrong with the Nikon LS8000. I tore it all back apart and viola, did the fix and it's now running better than before.
@wiltw any tool that can adjust curves (GIMP, Photoshop and surely many others) can do this 'trick'. It's down to user competence in the end. I've done a blog and a video on this; I've posted them several times before. It's a workflow that can yield perfect consistency and high productivity for both old-school scanning and dSLR digitization. GIMP btw is free to use so available to all.
@koraks You are absolutely correct, but where we disagree is the impact of key talent. For example, some of the constraints you've listed aren't as static as they appear, like "sufficient number of buyers". There are GTM people out there who can increase that number, and will lift sales of film along the way, but they are, sadly, not interested in working in this industry.
Yes, sure.Can you post another link to the process, for those of us who have missed this in the past?
Agreed. Digital camera scanning has taken over much of what was already a declining market.
Using a camera to.....errrrr scan an image is NOT scanning it is merely taking a photograph of a photograph.
Agreed. I would skip the Epson flatbed step if I were to redo it all over again. Nowadays if I were a budding 35mm film photographer on a budget I'd just spend those $300 on a tiny Plustek 8100 or on the motorized version (I think it's called 135i) and call it a day. The jump in quality from a flatbed is pretty spectacular on well exposed+developed negatives. And it's really tiny, and pretty quiet for a film scanner.
Really good value line of products.
They had a 120 model too. Not sure what happened to that one.
All a scanner does is taking many strips of photographs of photographs and then putting those strips together in a single photograph. The difference in the end really isn't very big. So there's no need to chastise people for incorrect use of terminology, especially not because they're all being very clear in what they mean by speaking of 'camera scanning', which removes any possible confusion right from the start.
Let's put the matter to rest whether camera digitization can be referred to as 'scanning'. As long as it's made clear what is meant, anything goes. That's what language does, after all - allow us to convey thoughts and concepts to each other. As long as it does that, it doesn't really matter which words are involved.
This, I respectfully submit has the same difference as scanning or taking a photograph of a photograph!
All a scanner does is taking many strips of photographs of photographs and then putting those strips together in a single photograph. The difference in the end really isn't very big. So there's no need to chastise people for incorrect use of terminology, especially not because they're all being very clear in what they mean by speaking of 'camera scanning', which removes any possible confusion right from the start.
Let's put the matter to rest whether camera digitization can be referred to as 'scanning'. As long as it's made clear what is meant, anything goes. That's what language does, after all - allow us to convey thoughts and concepts to each other. As long as it does that, it doesn't really matter which words are involved.
You can't get drum scanners. I learned about Coolscans just today and they seem to be discontinued. I've used Epson's of all grades and disliked them for film.
Why do scanning companies not produce better scanners instead of always going downhill?
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