John Szarkowski on Winogrand…
“To expose film is not quite to photograph, and the photographer who does not consider his finished pictures is like a pianist who plays only on a silent keyboard. In the absence of proof, mistakes multiply, craft becomes theory, and good thinking passes for art. As Winogrand fell farther behind in the criticism of his own work his technique deteriorated. The last few thousand rolls are plagued with technical failures—optical, chemical, and physical flaws—in one hundred permutations. The most remarkable of these errors is his failure to hold the camera steady at the moment of exposure. Even in bright sunlight, with fast shutter speeds, the negatives are often not sharp. It is as though the making of an exposure had become merely a gesture of acknowledgment that what lay before the camera might make a photograph, if one had the desire and the energy to focus one’s attention.”