Cherry and mahogany were both chosen for the same reason: good stability and easy workability. Mahogany is the wood of choice for patternmaking for the same reason. The beauty of the wood is really just an added plus.GaussianNoise said:Seems like many field cameras are made of cherry wood -- why?
Is it perhaps because cherry
- was readily available to the camera makers in New York in the early 1900's?
- has beautiful grain?
- has some some mechanical property which makes it especially conducive to use in camera construction?
I'm guessing it has something to do with all three but, I really dont know.
Any ideas?
magic823 said:Crosscut Hardwoods in Seattle sells a bamboo plywood. It's stable, light, strong and eco-friendly. I've been thinking building a larger camera using it (8x10 or larger). My problem is finding plans I like. I have no problem with building it. Heck, my workshops full of the equipment and it would be a good project for our Seattle winters where you don't want to take your camera out in the rain.
Anyone know of good plans for 8x10 or larger cameras. If you live in Seattle area and would like to build one, but don't have the woodworking tools - I have the tools and it would be fun to work with someone else building these.
Steve Allen
rbarker said:Being as you're in Pleasanton, you might be interested in a trip to Southern Lumber in San Jose (on South First St. at the south end of downtown). They have an excellent selection of both conventional hardwoods and more exotic woods, too. Plus, they usually have scrap bins of smaller pieces of the exotic woods that you can dig through. I believe there is also a hardwood supplier in Berkeley or Alameda that caters to furniture makers, and might be worth exploring.
magic823 said:Crosscut Hardwoods in Seattle sells a bamboo plywood. It's stable, light, strong and eco-friendly.
Steve Allen
barryjyoung said:Hello:
I am brand new here and am so glad I finally figured out how to chime in. Since there are several of us in the Puget Sound area (Seattle, WA, USA), Why don't we consort to build a common camera together? If we could all decide on the same camera, it would be quite inexpensive. Also, it would be very easy if we divided the labor with each member making a part of the camera for all the other members. For example, with five members, member A might make 5 beds, Member B 5 front standards and so on. It is way easier to make five of one thing than it is to make 5 seperate mechanisms. Takes less time, costs less money. Some members have certain tools that would help those who do not have access to those tools, some member might have certain skills or knowledge. It just makes sense. The hard part will be reaching consensus on what type camera to build.
I suggest we build the 8X10 Vail Camera. You can see the plans at
http://www.srv.net/~vail/camera.htm
This is the simplest design I have seen for a field camera. It is not complex or terribly expensive. So let me know what you think. By the way, there is nothing to keep someone who is not near Seattle from making parts either. So if you want an 8X10 camera without having to make the whole thing, let us know.
Thank you.
Barry Young
barryjyoung@yahoo.com
MenacingTourist said:You guys are killing me! I would love to build an 8x10 or larger camera, but haven't found any plans really. Alan.
BradS said:Seems like many field cameras are made of cherry wood -- why?
Is it perhaps because cherry
- was readily available to the camera makers in New York in the early 1900's?
- has beautiful grain?
- has some some mechanical property which makes it especially conducive to use in camera construction?
I'm guessing it has something to do with all three but, I really dont know.
Any ideas?
phfitz said:Hi there,
Felt like sharing, I just found the perfect wood for LF cameras:
Brazillian Oak
Just received 2 gorgeous planks, marvelous stuff.
Too many project, too little time.
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