A think that buying a Leica M7 would be insane for you and most people.
I think that a user-quality body M series body bought at around $800-1200 would never lose it's value and provide you with many years of wonderful reliable service. I have a Bessa and a IIIf and there is no comparision in the workmanship and in the sheer joy of using and holding something so finely made. It makes you want to use it.
Tim, with all due respect, can't fetch the point out of such kind of claim as you did, namely: "My personal opinion is my Mamiya rb67 is better than any Leica optically, it's just not as convenient."
IMHO, this is exactly as to claim that someone's 40 ton truck is better then someone's family range Toyota (you may replace Toyota by any other regular private car). Those things just of totally different cathegory, may only compliment each other, but certainly not to compete with each other.
You obviously meant Mamiya RB lens is better then Leica lens, right ?
If this is what you intend to imply, I cannot agree with that either...
We all realize that the larger is the format, the lesser enlargement needs to be performed for given size, hence the less are sharpness requirements from the lenses of larger formats. A good/best medium format lenses may actually be somewhat less sharp then best 35mm lenses, yet still provide better percieved quality of final print per given enlargement, just thansk to achieving the final size with much less enlargement of the original.
However, I'd expect best 35mm lenses technically outperform those in larger formats and this is OK for me bearing in mind the original format (perhaps Mamiya 7/7II lenses can be exceptional on sharpness according to what I keep hearing). Certainly, on a stable tripod, aimed with proper technique, there are good chances nearly all, even inexpensive MF systems will allow finer enlargements over Leica (or other high quality 35mm brand), but no matter how better the final results can be, if no appropriate technique (tripod, proper scanning, etc...) is going to be applied - I pick Leica (or other ample 35mm tool).
Last time I checked, a 40 ton truck couldn't shoot worth a damn.
tim in san jose
Provided you don't mind battery dependence (OK same as M7 but not other Ms). I find the upside-down, backwards film wind awkward; my wife doesn't. Also, I have a weakness for cameras where frame spaces don't go through the middle of perforations (I've just finished cutting up some negs shot with the 18/4 on the Zeiss Ikon SW). The 85mm and 90mm frames are neither here nor there: both are identical, within experimental error. No 135 frame, on the other hand. But then there's the Leicavit, which I love -- no equivalent on the ZI -- and sheer personal preference. My wife reckons the ZI sits better in her hands, with the MP a close second. I'd reverse that...Instead of the Leica look at the Zeiss Ikon. I have had them both and the ZI has so much more going for it especially the viewfinder.
Provided you don't mind battery dependence (OK same as M7 but not other Ms). I find the upside-down, backwards film wind awkward; my wife doesn't. Also, I have a weakness for cameras where frame spaces don't go through the middle of perforations (I've just finished cutting up some negs shot with the 18/4 on the Zeiss Ikon SW). The 85mm and 90mm frames are neither here nor there: both are identical, within experimental error. No 135 frame, on the other hand. But then there's the Leicavit, which I love -- no equivalent on the ZI -- and sheer personal preference. My wife reckons the ZI sits better in her hands, with the MP a close second. I'd reverse that...
The ZI is a great camera, but I'd only agree with the above statement if 'more' were dropped, to read, 'the ZI has so much going for it'.
Personally, I think people make far too much out of battery dependence in film cameras.
Those who hate battery dependence, and those who can't see the problem, will never understand one another. A lot depends on where and when and how often you have run out of batteries, and how used you are to cameras that don't depend on the beastly things.
As for carrying spares, as you say, film cameras don't eat batteries (unlike digi) so you don't need to change then very often. This means that if you have more than one camera bag, or if you aren't carrying a camera bag, you may well not have batteries with you when they pack up.
Or you may forget to pack them -- not much fun if they die in the Forbidden City as they did with my MP, though fortunately on that occasion my wife had a couple of spares for her Voigtlanders. And if you have several cameras that need SR44 batteries, it's Sod's Law they'll all need new batteries at once. If it's just meters that don't work, not so bad: if it's the whole camera that packs up, no thanks.
If there were a mechanical ZI, my wife reckons she might prefer it to an MP. As it is, she prefers the MP.
Cheers,
Roger
Battery problem?
http://www.leicagoodies.com/ --> SPARE
"Problem" solved
It will work on a C.V. and Zeiss ZM too
Camera strap??? On a Leica? How silly! Camera straps are for big heavy cameras like Nikons and Hasselblads. A Leica deserves to live on a wrist strap! Why do you think they put the tripod threads over on the right side like that? Certainly not for a tripod!For small batteries like SR44's I think you can get a camera strap that has a small pocket to hold a spare.
WAY too big and bulky!! Wrist strap, my friend, WRIST strap! Sorry, but I don't have a picture of mine.You mean like this one: http://www.leicagoodies.com/ --> STRAP
Camera strap??? On a Leica? How silly! Camera straps are for big heavy cameras like Nikons and Hasselblads. A Leica deserves to live on a wrist strap! Why do you think they put the tripod threads over on the right side like that? Certainly not for a tripod!
BTW, I would bet that my Nikon N80 lighter than a Leica M.
With absolutely no offence intended, "Frankly my dear, I just don't give a damn." Nor do I care about earlier posts which suggest that MF may be better quality, since I believe the thread to be about whether or not there is a reasonable case for buying a Leica rangefinder in general, but an M in paricular.
By highlighting the above anomalies, I feel that I am really pointing out that debates of this nature (PC v Mac, Nikon V Canon, Film V Digital, Tri-X V HP5+, whatever!) will automatically lead to others drawing in unequal comparisons, which does not really help any of us at all. If you want a quality 35mm rangefinder with interchangeable lenses, your choice is relatively limited and may well boil down to the perceived differences between a new(ish) Voigtlander against a 40 or 50 year old anachronism, but at the same time you might(should) be looking at whether or not that camera will be repairable in maybe 5 or 10 years.
There is much to be said for a camera like the M3 which will run without batteries and may still be serviced and repaired at 50 years old. Having seen reputable companies such as Konica, Minolta, Contax, etc go to the wall over the last few years, we should be thankful that Leica soldiers on and parts are available.
Are Leicas really the ultimate camera and should we all be shooting them? Absolutely NOT! Should those who understand what they're all about still buy them and use them? Yes (but said in much the same way that Meg Ryan said it in When Harry Met Sally)
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