I don't call removing the bottom plate "dismantling a camera." Nor do I find it ludicrous.Bessa: Rewind exposed film, open back, remove film, insert new roll, wind once, close back.
No bits and pieces to be dropped on a dark floor.
Having to dismantle your camera to change rolls, in 2007, is ludicrous.
Every time I've considered it, I've come to the conclusion that it's too much money for such a small piece of film.
Yeah, the hinged 35mm camera back was one of the great camera improvements of all time.
Funny tho, using Oscar's offspring for over 49 years now (along with Nikons), I've never dropped one or been slowed down by that silly, archaic, totally-removable bottom plate.
Never gave it much thought until AndyK broached the subject.
Guess all it does is make the body solid as a medium-sized rock.
But that's not a bad thing.
Yes, a one-piece body with a fixed back (or a fixed back with a hinged flap, as in M-series Leicas) does give more rigidity, but I can't for the life of me see that it is needed!
hey, i've got a bag of magic beans here, anybody in this thread interested in buying it? lets say $30,000?
It depends. Fifty years from now, will they be still able to take pictures? Heck, can they take pictures now?hey, i've got a bag of magic beans here, anybody in this thread interested in buying it? lets say $30,000?
hey, i've got a bag of magic beans here, anybody in this thread interested in buying it? lets say $30,000?
I quite agree.
I recently inherited a mint M3 and two lenses (1st generation 50mm Summilux, 90mm Elmar). It was made clear to me that I was bequeathed the items because I would have the best idea (of all her heirs) of what they were worth.
I quite agree.
I recently inherited a mint M3 and two lenses (1st generation 50mm Summilux, 90mm Elmar). It was made clear to me that I was bequeathed the items because I would have the best idea (of all her heirs) of what they were worth.
I ran two rolls through the camera and promptly sold it and the lenses to a collector.
The camera and the lenses certainly performed remarkably (wonderfully, actually), but the proceeds will enable me to buy a very complete Mamiya RZ system with more than a bit left over for 120/220 film.
A cold-blooded decision based on my priorities and one that I doubt I'll regret.
The single most practical reason is for the rangefinder. You can focus a f/1.0 and long telephotos with a Leica. Good luck trying it with the Bessa. I have an R3a but I wouldn't try anything longer than a 50/2.0 lens on it.
Tim, did you ever try a Minolta XD-11? Yes, that X-370 you had was their cheapest and crappiest body ever made! I'm willing to bet that the XD-11 and a good rokkor prime such as the 24mm f2.8, the 28mm f2 and etc...would easily be an even match for your Nikon and comparable lenses.
We'll have to swap a print sometime...I'm sure it would be next to impossible to tell which camera/lens combo took the shot.
Which just goes to show...if you want the Leica...get it because you LOVE it. And then go shoot it - don't let it just sit there on a shelf!
Jed
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