A guess: Color and black & white film use the shadow detail for the Zone System. Slides and digital use the highlight detail for the Zone System because the range of subject to brightness ratio is so narrow.
I thought maybe it was because modern digital cameras have more tonality than film. i.e. 6 stops on film, and up to a reported 14 on digital.
I thought maybe it was because modern digital cameras have more tonality than film. i.e. 6 stops on film, and up to a reported 14 on digital.
Ok, I guess I'll put the question back then.
Why are there two different implied zone systems - film, and digital?
You're joking,,,,, right?Exactly the opposite: 14 f/stops for film and 6 f/stops or less for digital.
Exactly the opposite: 14 f/stops for film and 6 f/stops or less for digital.
You joking,,,,, right?
My understanding (and experience) is that digital has a lot of latitude for underexposure, but blocks up fast with overexposure; film is the opposite, more or less (but obviously this depends on the film).
Nothing much to do with the original question!
I am not a fan of HDR, but it is, as you say, more than one shot.I’m not a digital expert but if used carefully and wisely, at this point can’t we say exposure stacking effectively gives the digital shooter the ability to bypass whatever limited exposure range the sensor/software has? Granted since it means combining more than one exposure it of course doesn’t define the actual latitude of the device.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?