I recall that Simon Galley (who at the time was part of Ilford Ownership and Management) once posted that is bulk film does not represent a saving, it did not make any sense.
A Lloyd's has less wastage of film as in a Watson you have a full 3-4" that gets to be exposed to light every time. I had something get imbedded in the felt in my Legacy Pro and it did a job of scratching length wise on every roll I did that time. Expensive lesson learnt.
Some photographer, myself included, bulk load 35mm film mostly because we prefer to shoot shorter rolls. Even with all of the extra film lost to the additional heads and tails I get 40 12-exposure rolls from a 100 foot bulk roll. Using Kentmere 400 as an example that is less than $2 per roll compared with $6.75 for a 24-exposure roll that I would either develop before I finished shooting the whole roll or rush through shooting a lot of the roll to no good effect.I recall that Simon Galley (who at the time was part of Ilford Ownership and Management) once posted that is bulk film does not represent a saving, it did not make any sense.
Yes, times have changed. I acquired my bulk loaders in the period 2000-2008....the prime time when amateur and pro photographers were clearing out their darkrooms and "upgrading to digital". I got them for a few pounds each. I also bought bricks of film of various flavours, because serious amateurs and pros were selling it off thinking they'd never use it. You could even buy recently expired bulk 100 foot loads of B&W film for a third or a quarter of the new price.
Now this stuff is in demand again. the bulk loaders, bulk film, developing tanks and even expired film fetch real money because people want them again.
In the same way I built up the bulk of my record collection in the late 80s and early 90s when people offloaded large collections to the record shops in order to "upgrade to CD". I own vinyl that now fetches eyewatering prices, sometimes two copies...one for home, one for the office.
Supply and demand.
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