RPX100 and RPX400 is the same as Kentmere 100/400 and for example Agfaphoto APX100/400.
This is the crowdsourced guess from Wikipedia. As good as any I suppose:Who is actually making films for Rollei?
This is the crowdsourced guess from Wikipedia. As good as any I suppose:
RPX100 and RPX400 is the same as Kentmere 100/400 and for example Agfaphoto APX100/400. These films are coated by Harman (aka "Ilford")
RXP25, Retro 80s, Superpan 400, Retro 400, IR400 are all Agfa Belgium films, Aviphot stock.
Question is why does it matter? I found myself getting caught up in who made Ultrafine 100 and 400, in the end it did not matter. If you like a film shoot it.
It matters if there is a quality difference and if the emulsions change and not the name.
Question is why does it matter? I found myself getting caught up in who made Ultrafine 100 and 400, in the end it did not matter. If you like a film shoot it.
I know that the IR400 film is made by Gevaert, who also supply many films sold under the Agfa label.
Well that would happen even with the same manufacturer over the years I would say. I don't think it would matter in the end. If you find the film is different than before it doesn't really matter who made it. It will either suit your taste or not.
I mean if the quality is poor would it matter if Harman or Foma made it?
I guess it would make sense to find which EMULSION it is and look at what to expect from it. Say current RPX400 is the same as Agfa APX400, fans of APX400 would look for Rollei RPX400. Aside from that scenario I don't think it matter much who made it. You either like it/can use it or not.
Just my 2 cents.
Marcelo
Question is why does it matter? I found myself getting caught up in who made Ultrafine 100 and 400, in the end it did not matter. If you like a film shoot it.
It matters insofar as Foma consistently has problems with motteling from what would seem the backing paper.
The papers structure and sometimes the print “rubs off” onto the emulsion.
No such problem with the Harman confectioned film.
The problem gets worse if you use the IR capability of the film.
I’ve learned not to use Superpan 200 and Retro 80s. RTX 25 is safe. But I lack a good clean source of the Aviphot 200 derivatives.
Retro 400s?
You must be joking. There are at least three obvious logical reasons and a bunch of "soft" reasons.
And the "soft" reasons include supporting what's right. I only buy Fomapan 100 from Foma Bohemia, not its numerous rebrands, because the manufacturer gets more money this way, at least in theory.
- Economics. When the film you like is available for 20% less under a different brand.
- Availability. You favorite film is out of stock? Well, a rebranded copy may still be available.
- Development times and other best practices from one film can be "copy-pasted" on its rebranded sibling.
Question, aside from Foma, who else and what films are being repackaged now? I'm pretty sure Harman is not doing it now.
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