I'm surprised that nobody has mentioned the Canon T90 that although only manufacture for a short time it was the design and concept that nearly all the subsequent modern 35mm S.L.R.s both film and digital ones are based on. http://en.wikipedia.org/wiki/Canon_T90 Before 1986 S.L.R.s didn't look like that.
I have three Canon T90s all with working shutters, I was given two of them because the shutters "didn't work" they need to be used regularly to prevent the shutter magnets from becoming magnetized and sticking, a couple of bangs of the camera base plate on the carpet freed them, and they have worked ever since probably because I use them regularly .Great camera alright,but try to get one with a working shutter!
As for the suggestion re. the OM1 & 2, I'm less convinced. I've had experience of these in professional use, I'm of the opinion Olympus didn't develop these over a period of time.......the OM1 suffered through the limitation of a 1/60th flash sync.....and was generally found by professionals to be not "tough" enough for heavy use...
As for the suggestion re. the OM1 & 2, I'm less convinced. I've had experience of these in professional use, I'm of the opinion Olympus didn't develop these over a period of time.......the OM1 suffered through the limitation of a 1/60th flash sync...
If we're going to include electronic cameras, how about these Pentax beauties...
ME Super
Super Program/Program A
Program Plus
I agree that the Olympus OM1... did not handle well due to the location of its shutter control.
I would include the Canon A-1 in this category. I've owned one for 30 years now. Still a very enjoyable camera.
This thread should be renamed, "What is your favorite camera?"
And (ahem), the LX.
I nominate the Minolta Autocord. All the camera's can be operated with the right hand while being held in the left hand. And of course there's the awesome 75mm Rokkor lens up front. Since I got mine back from Karl Bryan, it has become my favorite TLR. For 35mm, the Minolta XE-7 is pretty sweet as are the Spotmatics.
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