runswithsizzers
Subscriber
... and it would be great if the camera also uses a modern battery.
Recently, I inherited a Pentax Spotmatic SP with a 50mm Super-Takumar f1.4 lens. I was thinking about having it serviced for use, but after looking through the viewfinder and contemplating the reality of stop-down metering, I got to wondering what other screw mount bodies might have better viewfinders and wide open metering? I already have other SLRs with bayonet mounts that I will probably use more than a screw mount camera, so I don't need a "system camera." If I get a screw-mount body, I will need only two lenses for it, a 50mm and a 35mm; hopefully the 35mm will have a maxium aperture of at least f2.8.
As for "big" the manufacturers usually give a viewfinder magnification specification (when used with 50mm lens). And the specs also give a number for field-of-view; that is, what percentage of the final image shows in the viewfinder. When I was shooting slides, this number was important to me, but now that I am shooting mostly b&w negative film, I don't care so much about the field-of-view spec.
As far as I know, there is no objective specification for viewfinder brightness. Subjectively, comparing the brightness of the viewfinders on cameras I have now, listed from best to worst:
Recently, I inherited a Pentax Spotmatic SP with a 50mm Super-Takumar f1.4 lens. I was thinking about having it serviced for use, but after looking through the viewfinder and contemplating the reality of stop-down metering, I got to wondering what other screw mount bodies might have better viewfinders and wide open metering? I already have other SLRs with bayonet mounts that I will probably use more than a screw mount camera, so I don't need a "system camera." If I get a screw-mount body, I will need only two lenses for it, a 50mm and a 35mm; hopefully the 35mm will have a maxium aperture of at least f2.8.
As for "big" the manufacturers usually give a viewfinder magnification specification (when used with 50mm lens). And the specs also give a number for field-of-view; that is, what percentage of the final image shows in the viewfinder. When I was shooting slides, this number was important to me, but now that I am shooting mostly b&w negative film, I don't care so much about the field-of-view spec.
As far as I know, there is no objective specification for viewfinder brightness. Subjectively, comparing the brightness of the viewfinders on cameras I have now, listed from best to worst:
- Pentax MX = 0.97 magnification, 95% field of view. Excellent brightness!!
- Pentax KX = 0.88x magnification, 93% field of view. Noticeably smaller view and not quite as bright as the MX.
- Konica Autoreflex T4 = 0.89x magnification, 90% field of view. About the same brightness as the KX.
- Pentax SP = 0.88x magnification, field-of-view not specified. The view through my 50mm Super-Takumar f1.4 lens is noticeably yellowish. I wonder how much the yellowed lens is affecting the brightness?
- Konica Autoreflex T3n = 0.78x magnification, 92% field of view. Smaller view, and not quite as bright as the T4. For me, the viewfinder on this camera is marginal. Anything less in either magnification or brightness would prevent me from enjoying the camera in use.
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