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When Do You Remove the Paper?

Sophisticated? leaving the leader out is so unprofessional.
 
CatLABS said:
the term professional must have more then one meaning. Sophistication on the other hand, is hard to interpret in so many ways.
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Imagine a working pro in the '80s. They run around with an unpadded Domke bag full of gear, bashing around with 20 rolls of trix, searching for a fresh roll with his hand in the bag, another hand holding a camera. The only way he can tell the films apart is by touching the canisters, the one with the leader out is the one ready to load. He has no time, nor is he sofisticated enough to be able to rewind so that the leader stays out. For me Pro equals efficiency.
 

I wouldn't consider Paperazzi and press to be "professional" hahahaha

I'm half kidding.
 

no need to imagine.

I guess it comes with doing this kind of work.
Shot film goes in left pocket. Unshot film goes in right pocket.
If all film was in the same pocket the amount of time to pick one out and see that is already shot is more then to KNOW where the unshot rolls are.
Maybe its a 90's thing but whatever.
 
StoneNYC said:
I wouldn't consider Paperazzi and press to be "professional" hahahaha

I'm half kidding.
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Tell this to Weegee: Dead Link Removed
 

But as already mentioned, you can rip this by pinching it with your finger nails.
 
miha said:
I see them sometimes when film is glued to the reel with a tape.
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I know, it’s like a van de graaff generator in my darkroom when I’m loading film.
 
Never saw any sparks when ripping it though , but always seen them with tape even if you do go super slow. Sometimes I try breathing warm breath over the tape to increase humidity in that area. Don't think it works though haha.
 

That's my method also. I use stainless steel reels. Might be more difficult with plastic reels.
 
Dear All,

When removing the tape on a 120 film I was always taught to do it very, very slowly but also not to lift it off at 90 degrees but to pull it back on itself almost peeling it off flat, always worked for me.

Simon. ILFORD Photo / HARMAN technology Limited :
 

I was just curious. The only plastic reels I ever used were Paterson and one other brand with a much larger plastic guide where the film enters the reels, and none of those would accept anything other than a perfectly straight edge, which invariably would necessitate scissors.
That JoBo reel must be something else.

I now use Hewes stainless reels, and I can use a rough edge on the film and it will still load just fine. But a clean edge works well anyway, and I need the scissors to cut the film at the spool too. I've used the same changing bag for 15 years, and no holes from scissors yet, in spite of a couple of thousand rolls using very sharp Fiskars titanium blade scissors.

As far as the 120 film goes, I load most of the film onto the reel (also Hewes stainless), and when I get to the end, I very slowly remove the backing paper from the tape, and fold the tape around to the emulsion side and tape the loose end down. Finish loading the reel, and voila.
The tape remains on the film until the film is dry and I cut it in strips to go to storage. I see no reason to remove the tape at all, although if one was using plastic reels I suppose it would be necessary.
 

I do the same.

Stefan

Verstuurd vanaf mijn GT-P7510 met Tapatalk
 
It takes a gentle touch to use scissors in the dark, and perhaps a bit of practice. I did use the "kindergarten" style when I was using a changing bag, but now that I have a real work area I just use regular scissors.

You can position the blade with your thumb, I know just how far to cut from the curve of the leader and 80% of the time I can cut the film square without hitting the perfs (35mm) if I hear the purf, I go back and slice another small amount off.

It is slightly harder when bulk loading,but hitting the perfs is not an issue, and I trim the leader to shape in the light after the film is in a cassette.
 
CatLABS said:
the term professional must have more then one meaning. Sophistication on the other hand, is hard to interpret in so many ways.
Click to expand...

One has to be carefull with this word.

v. sophisticate

1: to alter deceptively; especially : adulterate
2: to deprive of genuineness, naturalness, or simplicity; especially : to deprive of naïveté and make worldly-wise : disillusion
3: to make complicated or complex
 
Well, it looks like everyone does it differently. I just let it fall off the film in the change bag, and when I get to the end I cut it and the film. Once in a great while I'll cut into the last frame, buy maybe 99 out of 100 times I don't. I can load 120 in my sleep, it's 35mm that sometimes throws me.
 
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