TXP has a 'studio-film' curve, with soft shadows and vigorous highlights. It is not well-suited for outdoor work, whereas Royal Pan was.
After nearly 40 years of shooting Tri-X in 120 roll, 4x5 and 8x10 in nearly every kind of outdoor weather condition imaginable, I wholeheartedly disagree with this statement. If properly developed and printed by a sensitive darkroom worker, IMHO Tri-X has a "look" that no other film can replicate. The only other I ever used that came close was Kodak Super-XX. This film had a propensity for handling mid-tones like no other.
But, one chooses the materials that works for him/her. Thankfully, we all still have many choices available to us.
Unless I am mistaken, Tri-X Professional in 120 is no longer made. I haven't seen any for sale in years. If you know different please tell me and where I can buy it now. I once used that film.........Regards!Kodak makes two different films under the name 'Tri-X' in 120: Tri-X Pan (ASA 400) and Tri-X Professional (TXP, ASA 320). In sheet film, Kodak Royal Pan was closest to Tri-X Pan. For some reason, Kodak discontinued Royal Pan about 2004, and now makes only Tri-X Professional, which is quite different. Royal Pan was a 'general purpose' press-type film with a typical press-film curve (soft highlights, vigorous shadows). TXP has a 'studio-film' curve, with soft shadows and vigorous highlights. It is not well-suited for outdoor work, whereas Royal Pan was. Ilford HP5 is close to Royal Pan in character. I would recommend that film instead of Tri-X 320 for outdoor work.
So, in 35mm, Kodak makes only Tri-X Pan, in 120 both, and in sheet film, only TXP.
http://wwwcaen.kodak.com/global/en/professional/support/techPubs/o3/o3.pdf
Unless I am mistaken, Tri-X Professional in 120 is no longer made. I haven't seen any for sale in years. If you know different please tell me and where I can buy it now. I once used that film.........Regards!
Did you ever use Royal Pan? Do you understand the difference between low-flare and high-flare situations? TXP (ASA 320) is a studio film (low-flare environment). It has a higher highlight gradient than Royal Pan or Tri-X Pan. This means that clouds will be denser in the negative, often requiring some burning-in.
I've never used Royal Pan, but have shot a few hundred sheets of TXP. I tend to slightly overexpose and underdevelop, sort of the Barnbaum approach. I would not say it's a difficult film to use, though you may not like my results
Yes, that's what I would do, too, if forced to use TXP. But I would use HP5+.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?