ntenny
Subscriber
To my surprise and delight, and the horror of my long-suffering wife, I've been lent a Newton Speed-Vue 4x5 camera for the next month. This is one of those cast-metal 4x5s that were fairly popular in the US after the war---I've seen it suggested that part of the reason they sprang up then is all the extra metal-casting capacity from aircraft plants after the war ended.
It's an incredible tank of a camera, probably heavier than my 5x7 Kodak 2-D! I think it was mainly intended for studio use, but I've got the right combination of tripod capacity and stupidity to try to take it out in the field, a little. The guy who's lending it to me says the only price of the loan is a print of something taken with it.
The lens is an Ilex Paragon-Anastigmat in an Ilex #3 shutter, an interesting self-cocking construction which seems to work perfectly---impressive since it's been an unused ornament for probably several decades. It has a spring back, which I assume will take normal modern holders---I can come up with one somewhere.
I haven't shot a lot of large format; mostly Southern Californian landscapes. I guess that's apt for a camera made in Los Angeles. However, I'm inviting brainstorms here: If someone left you with the opportunity to play with a camera of this nature for a month, what would you do?
-NT
It's an incredible tank of a camera, probably heavier than my 5x7 Kodak 2-D! I think it was mainly intended for studio use, but I've got the right combination of tripod capacity and stupidity to try to take it out in the field, a little. The guy who's lending it to me says the only price of the loan is a print of something taken with it.
The lens is an Ilex Paragon-Anastigmat in an Ilex #3 shutter, an interesting self-cocking construction which seems to work perfectly---impressive since it's been an unused ornament for probably several decades. It has a spring back, which I assume will take normal modern holders---I can come up with one somewhere.
I haven't shot a lot of large format; mostly Southern Californian landscapes. I guess that's apt for a camera made in Los Angeles. However, I'm inviting brainstorms here: If someone left you with the opportunity to play with a camera of this nature for a month, what would you do?
-NT