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what was the last camera you used, last film and how was it developed

fuji gw690III, agfa avaphot 200 ( rollei superpan). developed in pyro-cat HD. 1+2+200
 
Leica IIIF with Ultrafine Xtreme 100 developed in HC110
Not so good....the negatives are way too dark - overexposed? - overdeveloped?
Don't know but I will try to figure it out. I want to make sure the shutter isn't dragging
 
Four more rolls of PanF+ and 10 frames of E100G through one of my trusty Hasselblad 500c/ms this am (more architecture at SFU) before the sun disappeared behind the clouds (for the day?). Into the deep-freeze for a bit with its friends...
 
Ilford FP4+ 120 in D-76 1+1, shot through my Zeiss Nettar, and a 12 exposure home rolled 35mm Fomapan 100 in D-76 1+1, shot in my OM-2. My OM-2 sits on the shelf for eons at a time (as does my OM-1), have to run a short roll through to keep them alive. I just bought the Zeiss, had to test it, it now goes everywhere with me.
 
Canon VT Deluxe + Canon Serenar 85mm f/2.0 (chrome anchor) + expired Tmax 3200 I'm rating at 800.

Will be souping it tomorrow.
 
Hehe, I used my Minox B this past week during a couple of bicycle rides, but at the rate I'm going through the 36 exposures of Delta 100 (via Blue Moon) it may be a while before it gets developed. Once I see how it does I may or may not continue to use it, this is its first roll of film in about forty years! I've pretty much been seduced by medium format, so the notion of $20 a roll for teeny tiny negatives may be relegated to very infrequent amusement.
 
My new to me Bronica s2a with the 2.8 Nikkor, shooting Foma 100 ASA, souped in D 76 1 to 1.
 

Nice. I got plenty of surprisingly good images with my Minox B a few months ago. Biggest thing to be careful about is not covering the lens with your fingers. After a while, the "Minox hold" becomes instinctive.
 
Polaroid Automatic 340, Fuji FP100C, pulled film piece through the rollers and peeled the print off 100 seconds later.

Recently finished a roll of Fujichrome 50 in a Pentax Spotmatic F, film to be developed soon.

Stereo Realist 3.5, Fujichrome Sensia 100 (2010 dated stored cold), processed at Main Street Photo, Bowling Green, OH
 
Lets see that would have been on Monday testing my Canon FTb with a 50mm 1.4 lens. Kentmere 100 shot at 100 developed in HC-110 dilution H (1+63) for 14 minutes. Ten initial inversions followed by 5 inversions every 30 seconds.
 
Foma 100 in my Bronica S2a w 75mm f2.8 Nikkor, D 76 1 to 1, 9'30" at about 68, 30 sec intitial agitation, then 5 sec/minute.
 
Nikon F4, Kentmere 400, developed myself in Rodinal, standard (8 min.~68, ag first min., then every 30 sec. For ~10sec)
 
I took the Yashica Electro-35 out yesterday with Tri-X and a red filter. I didn't finish the roll and today it is raining, so perhaps tomorrow.
 
OM1n 24/2.8 acros@200 caffenol-cm(rs) 12m20C
 
Hasselblad 500c/m (again). Out with the 50,100,180 and 250mm lenses. Shot two rolls and a bit of PanF+ (now down to my last brick unless I find a few loose rolls hiding amidst the frozen fruit and vegetables. Double Zip-locked and popped into the -20C confines of the freezer to keep company with its siblings. On a bit of a tear shooting lately, so the collection of unprocessed film will most likely be dipped and dunked at The Lab at the end of the month.
 
R3 MOT and 3 rolls of Portra 160.
 
Out again this am with the Hasselblad. Shot a couple more rolls of PanF+ (five and a bit); into double Ziplocked bags and then into the freezer with its brethren. I really should start tackling my growing backlog, but...
 
Animal print Impossible Project PX600 in SX70.

Developed to completion, printed in ~20 mins. Insert smiley here.
 
I'm about halfway through a roll of Kodak Portra 400 in my Nikon FM3a and 50 f/1.4 AIS. Set at ISO 150 due to age. I'll finish it up tomorrow when we go down to visit Boston and I'll send it off to be developed at Dwayne's Photo.
 
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