What Scanner Are You Using Now?

I have an old agfa arcus II which I use for 4X5 and 5X7 negs. and transparencys. I'm happy with the scans it deliver but the bad side is that it has a max res. of 600dpi.

And a polaroid sprintscan 4000 for 35mm. I use this one for negative film, it is not very good for transparencys.

I have a coolscan 4000, and just purchased a Plustek 7500i. I like the plustek much better simply because it produces (my opinion) better scans. It came with silverfast software that drove me absolutely crazy. Went back to using vuescan which in my opinion does a much better job in scanning 135. Also the Plustex does not make near as much noise when running.

Hi

cpnp said:

I have a coolscan 4000, and just purchased a Plustek 7500i. I like the plustek much better simply because it produces (my opinion) better scans

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since you have both, could you perhaps scan the same thing with both, and place a overview and a 100% crop of a portion of the image for us to see? I for instance use flickr and I can put images here by pasting the url of the image in between the [ IMG ] tags you get when you click the up there in the top of the edit window

sorry can't do. I do not have the 4000 hooked up to my main computer. It is hooked up to my other Mac which is at another house I own. also I have no way to upload pictures. However, I will say using vuescan I get a much cleaner Picture with the plustek. The silverfast software that came with the Plustek drove me to insanity running 10.8.

I disagree with cpnp's assessment of the Plustek vs. Nikon, vis-a-vis image quality. I was using the LS-5000, though...don't know how much of a difference that makes. He's absolutely right about how quiet it is.

Here's a post I made a few months ago on this topic:
http://www.hybridphoto.com/forums/showpost.php?p=11168&postcount=29

Though, in reviewing the results again, it looks like the Plustek might have the edge in raw resolution, but it's still slightly softer and more prone to flare than the Nikon.

Pellicle, if you want to see samples, I can post them. USAF bar charts, step wedges and *gasp* actual image data...let me know.

--Greg

I consider myself quite lucky since I hava managed to get two high end scanners for a reasonable price.

I have a Scanview Scanmate F8+ which I use most of the time. These days I am mostly engaged in BW large format photography (4x5") and the scanner performs extremely well. I wetmount with Kami and it runs with a good piece of software (ColorQuartet) on Mac OSX. It is neat to have an outdated scanner running on present operating systems.

I also have a Screen DT-S1045ai drum scanner. It gives extreme quality, specially with high density positive film. I also have some BW scans that are incredible and the prints made from them are my finest. It runs only on Mac OS9 and the image files have a maximum pixel dimension of 16.000x16.000 pixels. Stitching scans from a drum scanner is an easy task since there is no such thing as edge-distorion in a scan. So I have stitched several large images from 8x10" negatives. Time consuming and complete overkill - but a lot of fun.

I will use these scanners as long as they run, I have no real options for service on these scanners. they are out of production a long time ago and I live in an "outpost" of the world where I can not expect any kind of technical support. Well, there is a guy in Denmark still providing service for Scanmate scanners, so my statement is not entirely true

I have a Scanmate 5000 with ColorQuartet 4.3.1 running off an Apple Powerbook G3 and connected via SCSI cable.
I have a physical dongle key I connect to the ADB cable that goes into a keyboard to use ColorQuartet. I think ColorQuartet is a great programme actually. Even today I just can't find anything else Id add to the programme apart from the colour negative proper profiles.....

(actually, I wonder if anyone out there has an in-depth user manual I could have as a pdf)

I'm running Mac OS System 9.1 (in fact, only today i received a 2nd hand Powerbook G3 i bought off someone in the UK cos the Powerbook I had had a bad screen and keyboard)

Svalbard?! That made me shiver, brrrr... I wish long operational life w/o troubles for your scanners.

Regards,
Loris.

eibr said:

...
I will use these scanners as long as they run, I have no real options for service on these scanners. they are out of production a long time ago and I live in an "outpost" of the world where I can not expect any kind of technical support.
...

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V750

I am new to film, and i bought Epson V750 Pro, when i will shot film a lot then i will see how it will perform.

Hi

eibr said:

...and I live in an "outpost" of the world where I can not expect any kind of technical support

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imagine me here in Kouvola Finland then!

The funny thing is I've been saying that about this area for some years, and the locals still think they are in the center of the universe, with Europe being some funny far away foreign place and lappland being the outpost ... perhaps Inari.

Even Helsinki is a bit strange

We have Aztek & ScanView drum scanners. There isnt anything that scans better than a PMT scanner in my opinion. However, the scan is only as good as the operator. I have seen terrible drum scans.

For flat films or plate we use a ScanView F8. What make's the SV so much better than its counterparts in this price range is the design. The lens sits on the floor, unlike a Creo that bends the light with mirrors. The SV is lens-art direct. The bad thing about ScanView is parts and service, there isnt any!
We also have a few AGFA's 2500T & HID, the best medium range FB's. too bad they stopped making 'em.

regards

After using an old Minolta film scanner, it died on me. Seeing that Minolta was no more and that Canon discontinued its dedicated film scanners in favor of flatbed scanners, I bought a Canon 9950F. After fighting with it (and Canon support) trying to get a sharp scan from it, I finally gave up and bought a used Microtek 120tf dedicated film scanner. It's not without its issues, but the scans are head and shoulders above anything I ever got from the Canon. I'm still fighting with Canon support (it would be nice to scan 24 35mm negs at once!) but I don't expect much. I had an older Epson flatbed scanner that did film and it wasn't very sharp either. With the Microtek (as with the Minolta dedicated scanner before) scans are sharp enough that I can see the grain in the film. With the flatbeds, scans can only be described as "soft". Does anyone have a flatbed scanner that actually gives sharp scans (as opposed to fuzzy scans to which unsharp masking adds back edge effects?)

Ulysses

perhaps your sharpening technique is out?

I've read that the Microtek is in the same ballpark as the Epsons so perhaps the Microtek does some default sharpening you have not yet discovered (lurking in the bowels of its configuration).

I have Nikon and Epson scanners (though I sold my LS-IV keeping only the LS-4000) I find the 4000 to be indistinguishable from the 5000 in DPI and resolution. The IV was 2900dpi but focus was critical on it (as indeed any microscope if you've ever used one).

Film flatness is a struggle (find any Nikon 9000 user who denies that and I'll show you a sloppy N 9000 user) so while the potential exists just how much effort is that extra 10% worth?

I compared my LS-IV to my Epson flatbed here. The differences are so slight (and the variations high) that I see no advantage to using it.

For me I send it out for a drum scan.

I encourage you to read this blog post which compares scans from top quality drum scan, LS-4000 and Epson then factors in printing losses.

I'm not saying the Microtek is not a superior machine to the V750, but that it will be small margins. After that I say we could talk about your sharpening technique.

I'm running a Nikon Super CoolScan 5000 ED, with VueScan on a Win7 laptop. Great results!

Dave,

I use several Nikon 5000 for slides (110,126, 35mm) and color negatives and several V750 Pro for 127 and 828 slides as well as for wetmounting of medium and large format images. I have a Nikon 9000 on order to play with some other options.

Richard Schneitler said:

Dave,
I have a Nikon 9000 on order to play with some other options.

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Patrick Gainer has reported on the Large Format Forum that he was told by Nikon reps at recent camera show that Nikon is officially out of the scanner business. Hope you get your 9000.

Don

pellicle said:

Ulysses

perhaps your sharpening technique is out?

I've read that the Microtek is in the same ballpark as the Epsons so perhaps the Microtek does some default sharpening you have not yet discovered (lurking in the bowels of its configuration).

I'm not saying the Microtek is not a superior machine to the V750, but that it will be small margins. After that I say we could talk about your sharpening technique.

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First of all, I'm a hothead. I think that in this case that fact got in the way of a rational evaluation of the Canon scanner by me in the first place. Second, I tend toward verbose, so this is long but I think it does have a point. Let me start by saying that, in at least one sense, I was wrong. I read the blog post you referred to and I have to say that I pretty much agree, and in fact had recently come to the same conclusion on my own. Here's how that happened:

I own two pieces of Canon equipment that have been giving me fits. I'm not going to pick on Canon. They make fine products and I own other products they make that are a joy to use. It happens that one of the products I was struggling with was the Canon scanner. I bought it a couple of years ago and was really unhappy with the quality of the scans I was getting from film. I shoot 35mm and 120, and digital, too. I previously owned a Minolta film scanner and I was happy with the results I got from it. It died after many years of use, and when I went to replace it I decided I needed to be able to scan 120 film as well. The only current-production dedicated film scanner that could do 120 was the Nikon 9000, which was more than I wanted spend. I read Canon's statement that flatbed scanners were good enough that dedicated film scanners are no longer necessary, read some reviews and decided to get the Canon 9950F flatbed film scanner. From the first, my scans seemed soft (out of focus was how they looked to me) and I contacted Canon support for assistance. They weren't much help, and I stubbornly insisted that the scanner was incapable of providing quality film scans. Life interfered and I ended up dropping it. Recently, I have been spending more time on photography, particularly film photography, and the issue was resurrected. Somewhere in the interim -- after giving up on the 9950 -- I found a Microtek 120tf on eBay for a reasonable price. After bit of a struggle and a software upgrade (to the latest version of SilverFast) I was happy with the scans.

Recently I ran into a problem with the second piece of Canon equipment, and fired off an email in the direction of Canon USA CEO Joe Adachi, in which I added a rant about the scanner to the primary complaint. I don't know if he got it, but *somebody* at Canon did, and I was all of the sudden getting a lot of attention from them. They made a very gracious offer to resolve the problem with the second piece of equipment, and offered to have the scanner shipped to them for testing. All they asked was that I document the problem and include some scans that demonstrate the poor quality of the scans. That's where the fun began.

I selected several 35mm slides, and B&W and color negs in both 35mm and 120, then started scanning, first on the Canon, then on the Microtek. Several hours later, and I'm seriously considering *not* returning the scanner to them. Looking at the scanned image files, I am forced to conclude that the information content in them is similar (allowing for the differences in maximum scanning resolution.) In other words, the Canon scanner performs as advertised. There are, however, differences in the resulting images that to some extent follow the differences in the digital camera images and drum scans of film discussed and shown in the blog you provided the link to.

Here's what I think I see:

1. The amount of visible detail in the two scans is roughly the same
2. The scan from the MicroTek looks more like a film image -- it clearly shows the grain from the film
3. The scan from the Canon scanner looks more like a digital image -- there's no grain, although there is some "noise" and transitions are "smoother" which contributes, in my perception, to softness of the image
4. Since I was looking for a digital representation of the film image (as opposed to the original image), what was produced by the Canon scanner was not to my liking

I had it in my head, and to some extent I still do, that I wanted the scanned image to be a pure capture of what's on the film, including what is introduced by the film medium itself. I still think that the dedicated film scanners I have used (and probably drum scanners as well) do a "better" job at achieving that. If that's your goal, and I confess that it is mine, at least some of the time, then a flatbed scanner won't make you happy. If your goal is the best representation of the image you saw when you pressed the shutter, independent of the medium you are using to record it, it's up in the air which is better (or for that matter whether film or digital is better.) It's a choice you have to make based on your experience, vision and creative intent. If you see it as VHS versus DVD or cassette tape versus CD, you'll only see it as the new being "better" than the old. But that's not always true: consider CD versus MP3 where the latter is more convenient even if it's a less accurate representation of the original sound recording.

I like film. I tend to think about photography in terms of film as the medium, and film influences what I shoot and how I shoot it. I also like the enormous convenience of digital. That's why I use both, and want to continue to use both. I expect that, now that I've calmed down about it and done a more objective review, there is a place in my toolkit for the Canon scanner. Plus, it's nice to know that I can still learn, after all these years.

ulysses

I had it in my head, and to some extent I still do, that I wanted the scanned image to be a pure capture of what's on the film, including what is introduced by the film medium itself.

...

If that's your goal, and I confess that it is mine

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see if you can book time on or borrow a decent microscope, something x40 to x80 will be good. Take along a few bits of film (black and white, slide, colour neg) and take a look at them. I'm sure this will help you know what film looks like.

If your goal is the best representation of the image you saw when you pressed the shutter, independent of the medium you are using to record it, it's up in the air which is better (or for that matter whether film or digital is better.)

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this of course is a vexed question, and laden with assumptions on what you may be looking for;
*resolution
*rendering colour
*rendering relative scene brightness
*rendering your artistic vision (what I saw may be potential)

projected on my screen from my Leica projector, 1970's kodachrome shows rich yellows I never see in scans or in prints

As you are now a worker in the chain of production (no longer simply the person pressing the shutter) part of being able to produce what you desire is knowing the media you work with. In the digital darkoom this also requires knowledge and understanding of scanning equipment.

Its hard to write about this, even with diagrams; people tend to look without seeing. I believe that to truly see you need to do it for yourself and make the observations and comparisons.

So grab any slide (this is my favourite)

and scan it on everything and anything you can so you can compare the scans. Get past seeing the image to (like a mantra) to seeing its components.

Just when you think you know the artifacts and why they are there, you may learn something which dispells that. For instance, did you ever read this?

http://www.luminous-landscape.com/reviews/film/fuji-pepper.shtml

a good read

not sure if I had a point here, but then I wasn't certain of yours above either

What scanner

I use a Scanview Scanmate F14 with ColorQuartet software. I do linear BW raw scans from 8x10" negs in 16 bit RGB. This results in very big files, approx 1,5 GB but is well worth "waiting time" as raw scans on a F14 secures every detail in the neg. I have chosen to scan using wetmounting fluid and scanning overlays from ScanScience (Lumina fluid), placing the neg directly on the bottom tray of the scanner. The scans are inverted and adjusted in the plugin ColorPerfect giving very nice and filmlike files. Output on barytha paper with inkjet.

aurstad said:

I have chosen to scan using wetmounting fluid and scanning overlays from ScanScience (Lumina fluid), placing the neg directly on the bottom tray of the scanner. The scans are inverted and adjusted in the plugin ColorPerfect giving very nice and filmlike files. Output on barytha paper with inkjet.

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If done correctly fluid mounting will give a better scan with every type of scanner, be it drum, flatbed or dedicated film scanner. The benefits are increased micro-contrast, subdued grain, and usually less need to retouch.
Fluid mounting can also introduce problems if one is not careful in cleaning the negative, mounting bed, and mylar that is used to cover the negative.

Sandy King

Don Bryant said:

Patrick Gainer has reported on the Large Format Forum that he was told by Nikon reps at recent camera show that Nikon is officially out of the scanner business. Hope you get your 9000.

Don

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I have heard the suggestion that the 9000 is not actually discontinued, but is only being built in batches when enough orders accumulate. If it has gone it will be a great shame. After waiting for a month on back-order, I found one new and unopened on eBay and it turned up yesterday. Previously I had used an Epson 4870 flatbed for MF - the preview scan from the 9000ED is better than the final product from the 4870! It also beats my KM5400 (not the II model) for 35mm, so I'm delighted. If my first evening of scans show obvious improvement I daresay it will be better still when I've had some practice with it!

Chris

chrism said:

I have heard the suggestion that the 9000 is not actually discontinued, but is only being built in batches when enough orders accumulate. If it has gone it will be a great shame. After waiting for a month on back-order, I found one new and unopened on eBay and it turned up yesterday. Previously I had used an Epson 4870 flatbed for MF - the preview scan from the 9000ED is better than the final product from the 4870! It also beats my KM5400 (not the II model) for 35mm, so I'm delighted. If my first evening of scans show obvious improvement I daresay it will be better still when I've had some practice with it!

Chris

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Let's just hope Nikon does continue to produce the scanner. I can understand why they are dropping production of their other scanners such as the 8000 and 5000. The market has declined

These scanners - used - are now fetching super premium prices, particularly the 5000 since it can scan an entire roll of film unattended or a bunch of slides and produce excellent output to boot. Maybe Nikon should charge more and take pre-paid orders. I suppose even world wide they don't see enough profit for their efforts.

Don Bryant said:

Maybe Nikon should charge more and take pre-paid orders. I suppose even world wide they don't see enough profit for their efforts.

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makes one wonder just how much profit is needed on a line to keep it open. A single WWW based outlet with no distributor and postage only would work well in my opinion and require little to service it as the product is already a household name.

pellicle said:

makes one wonder just how much profit is needed on a line to keep it open. A single WWW based outlet with no distributor and postage only would work well in my opinion and require little to service it as the product is already a household name.

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I think Nikon is faced with some difficult choices. Compared to companies like Canon they are relatively small even though they are a subsidiary of the Mitsubishi giant. As a result profits might have to be more substantial for their diminishing product lines like film scanners. Wish I knew the correct answer, I'm only speculating.