One of my favorites. I've seen a print of it once and it's a keeper. I inquired about purchasing a copy but it was too expensive for me. Lovely image and moment.
Emmet GowinNancy, Danville, Virginia1969
https://www.moma.org/collection/works/46763
Yes, the arms and eggs have an effect, I think it's the distortion of the body and of the confusion of the egg and morphism with her arms. This is disturbing because it calls into question what is there, and what is real, because what is pictured unquestionably happened because it is a photograph but by a kind of trick it seems unreal as she plays with light and shape. There is also a play with time, as is evident in pictures of children (they are now older), and I think there is a play with the picture of the egg (that which brings life about).
There's also the question of time which Barthes says is the "new punctum, which is no longer of form but of intensity, is Time, the lacerating emphasis of the noeme ("That -has-been")[noeme means 'object of thought], its pure representation".
"more or lessed blurred beneat the abundance and disparity of contemporary photographs, is vividly legible in historical photographs: there is always a defeat of Time in them" (Barthes). As Ko. Fe. noted above, historical photographs "screams old to me", and historical photographs are touching (at least to me) because it's obvious that things have changed since they happened, what is there is no longer there precisely, and it reaches to one of the cores of a photograph (the moment of the past).
For me it is 'The Three Graces' by Sally Mann,1994.
Content warning - some viewers may find disturbing : https://www.jacksonfineart.com/artists/125-sally-mann/works/32890/
Now that's interesting, I'm a fan of Sally Mann but have somehow missed this image! I bet it was a funny scene - "Ok girls, one, two, THREE!"
It reminds me a bit of Edith Gowin relieving herself in the barn, but this is even better considering the mother/daughter dynamics and arms raised.
This one gets to me every time. First time I saw this picture it reminded me of the kind of look my grand-daughter would have in the same situation. I will go to bed depressed after seeing this, as I did the first time. It reinforces my belief that since then we have not moved forward one jot as a species as recent events seem to demonstrate. Here's hoping that yours and my grand-daughter can expect betterJapanese girl with an apple, taken during the removal of Japanese from the west coast in 1942. My in-laws were part of this, losing nearly everything they had. She looks like my wife at that age and is about the same age as my granddaughter. I am struck by her sad calm, clutching her purse and eating an apple, amid the madness all around.
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Duane Michaels: "Death Comes to an Old Lady" sequence
http://www.orderofthegooddeath.com/duane-michals-death-comes-to-the-old-lady
I am searching my mind to remember the photographer/journalist who took a horrific photo of the immediate aftermath of a farm tractor tire explosion that killed the father and son, but left a stunned wife looking on in disbelief. That one is hard to look at; perhaps it's best if I can't find it again...
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