"Innovation" is pretty meaningless as a criteria for judging the value or meaning of photography - or anything else for that matter. The most vapid things can be innovative. The most staid things can be the most meaningful. Attempts to be innovative with photography tend to generate wildly swaying critical opinions. Think of Jerry Uelsmann. Think of all the bizarre costumes of post-movie-stills Cindy Sherman. Duane Michals taking fairly straightforward photos but sequencing them and writing captions under each also was seen by many as just a gimmick. All of those are "innovative" with respect to what is normally taking place.
"Innovation" is pretty meaningless as a criteria for judging the value or meaning of photography - or anything else for that matter. The most vapid things can be innovative. The most staid things can be the most meaningful. Attempts to be innovative with photography tend to generate wildly swaying critical opinions. Think of Jerry Uelsmann. Think of all the bizarre costumes of post-movie-stills Cindy Sherman. Duane Michals taking fairly straightforward photos but sequencing them and writing captions under each also was seen by many as just a gimmick. All of those are "innovative" with respect to what is normally taking place.
"Innovation" is pretty meaningless as a criteria for judging the value or meaning of photography - or anything else for that matter.
I don’t have a clear idea of what distinction can be made between innovation and having a unique voice. I think the days of real innovation in photography are largely over, as they are for other media like watercolour painting or 12-tone music. Self-consciously trying to be different generally seems to involve messing around in mixed media or other fringes. I’m always puzzled that this gets the attention of trendy photo galleries.
So I say to hell with innovation. My vote is for being oneself, whether that is revolutionary or derivative. Some lucky people are so innately talented and distinctive that their photos, watercolour paintings or music will always be treasured. For the rest of us, striving for the never-been-done-before isn’t going to help.
Well said.Everything has be done. Nothing is innovative. The only innovative is the artist's view which on the same things is every time different
I don’t have a clear idea of what distinction can be made between innovation and having a unique voice.
Everything has be done. Nothing is innovative.
What about Cubism? Hardly a unique voice. I think innovation is largely conceptual.
Oh hell, has it come to that?I guess we'll need a definition of "innovation."
Oh hell, has it come to that?
Trouble is, the OP was asking what we would consider innovative in contemporary photography, and it seems that views differ. Clearly I’m thinking of something more fundamental than you are, for instance.
Everything has be done. Nothing is innovative. The only innovative is the artist's view which on the same things is every time different
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