Can't wait to see your results Andy. If the sunshines tomorrow I'm heading out with a couple of oldie, but goodie cameras myself. Foma Ortho in one and Shanghai GP3 in the other. Curious to see how this Foma Ortho film and an old Kodak get along.I went for a stroll this sunny afternoon, with my Grand Dad's old Target Six-20, and a re-spooled roll of 2004 Tri-X.
Can't wait to see your results Andy. If the sunshines tomorrow I'm heading out with a couple of oldie, but goodie cameras myself. Foma Ortho in one and Shanghai GP3 in the other. Curious to see how this Foma Ortho film and an old Kodak get along.
I have Rolleiflex 6008 Integral 2, Fuji G690, Mamiya 6, Horseman VH 6x9 and a Rolleiflex 2.8C
I'd be willing to bit that your Yashica needs its focusing lens set in tune with its taking lens. The Yashinon lens is almost always sharp unless it has been tampered with.Yashicamat 124. I hear good things but i'm just not getting along with it. Not super happy with the lens, though I have gotten some lovely portaits with it, I just don't shoot people very often. I don't love the handling either, though she's due a CLA. Fairly bright focussing screen, but I still struggle nailing focus. I feel we may be parting ways soon.
I'd be willing to bit that your Yashica needs its focusing lens set in tune with its taking lens. The Yashinon lens is almost always sharp unless it has been tampered with.
You do use the built-in magnifier for critical focus? This really makes a difference, especially for older eyes like mine. I have no problem with things "snapping" in focus with the magnifier in use.Thanks for bringing that up! I'll keep that in mind but I think it's fine. I was mainly refering to trouble with the focusing screen not "snapping" into focus, just hard to be certain where the focal plane is sometimes
You do use the built-in magnifier for critical focus? This really makes a difference, especially for older eyes like mine. I have no problem with things "snapping" in focus with the magnifier in use.
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