Here is what I read in the letter:The black Leica's finish looks too good for a used camera. Maybe an explanation is in the letter but I cannot read it. re. link above
Cameraquest shows a number of black Leica III's made in 1934.Did thy make black screw mount Leicas? I know that few taped the chrome or painted the chrome.
Black paint was actually the standard for Leica until the Leica III (I believe) was introduced with chrome as an available option.Did thy make black screw mount Leicas? I know that few taped the chrome or painted the chrome.
David Douglas Duncan was one of the photographers who began using Nikkor lenses on his Leicas after having the opportunity to compare them to Leica and Zeiss lenses of the time. They gained a favorable reputation among photojournalists, and this may have been why Frank used them as well. Noted for better and more durable coatings than Leitz lenses of the time. I've got a few Nikkors from the mid-50's and the glass is in perfect shape.I wonder why he picked a 50mm 1.4 NIKKOR?
Just guessing it was the fastest lens available then.I wonder why he picked a 50mm 1.4 NIKKOR?
Garry Winogrand used a Canon lens on his Leica M4.I wonder why he picked a 50mm 1.4 NIKKOR?
I wonder why he picked a 50mm 1.4 NIKKOR?
I don't think Frank was shooting with newspapers in mind. Also, newspaper resolution back then was 65 lines per inch, magazine 133 lpi. Sunday supplements could be higher resolution, most of them being produced by photogravure on cheap paper.One more reason - from Leicaphilia / ''The man responsible for the rise of Nikon - David Douglas Duncan''
...The difference the Nikkors produced was easily seen. The slightly higher contrast range of the Nikkors translated better for newsprint output than the lower contrast of the Leitz optics, yielding better prints for newsprint’s resolution of around 80/120 lines. Within weeks every Life staff photographer passing through Tokyo had bought a set of Nikkor lenses ... http://leicaphilia.com/tag/nikkor-ltm/
One more reason - from Leicaphilia / ''The man responsible for the rise of Nikon - David Douglas Duncan''
...The difference the Nikkors produced was easily seen. The slightly higher contrast range of the Nikkors translated better for newsprint output than the lower contrast of the Leitz optics, yielding better prints for newsprint’s resolution of around 80/120 lines. Within weeks every Life staff photographer passing through Tokyo had bought a set of Nikkor lenses ... http://leicaphilia.com/tag/nikkor-ltm/
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