What kind of Hasselblad 'setup' for archetectural photography?

essensebe

Member
Joined
Mar 28, 2016
Messages
30
Location
Belgium
Format
Medium Format
I love my Hasselblad SWC for interior photography. The sharpness and perfect straight lines are amazing.

For true architecture photography with perspective correction you need shift on the lens.

Only the Arcbody with Rodenstock wide angle lenses is capable of this.

The flex body isn't really built for architecture photography as the image circle of the Hasselblad lenses is too narrow, you 're only able to shift few millimeters which is not enough.
 

Theo Sulphate

Member
Joined
Jul 3, 2014
Messages
6,489
Location
Gig Harbor
Format
Multi Format

I've used my SWC for architecture when I needed perfect verticals in the corners and I've not been disappointed - it's the best.

But the 50/4 CF FLE is still impressive. I have 16x20 photos made with that lens which are just amazing in their sharpness. One photo on Kodak Tech Pan film, made from Crown Point and looking eastwards in the Columbia River Gorge, shows distinct images of cars four and a half miles away. The corners are sharp as well. The two focusing rings are fun (I enjoy playing with as many controls as possible): the front ring selects one of four ranges and the main ring is used normally. Awesome.
 

Sirius Glass

Subscriber
Joined
Jan 18, 2007
Messages
50,391
Location
Southern California
Format
Multi Format
ditto
 

RobC

Member
Joined
Nov 5, 2007
Messages
3,880
Location
UK
Format
Multi Format
methinks it depends a lot on what you are photgraphing. Indoors where you can control your camera and position, maybe with a step ladder, so you can keep film plane vertical will I'm sure work very well with an SWC. But I bet it doesn't work so well out in the street where you are limited with how far back you can get from a building, are at street level and need to point the camera up to get the top of building in shot. Its a question of the right tool for the job so there aer several cameras that might work and shift may not be necessary depending on your subject. But sometimes it will be so the OP just needs to be aware of this if he hasn't considered it.
A cheap mono rail 4x5 with short focal length lenses and a bag bellows should cover all needs. Infact most lightweight field cameras would probably do it.
A tecknikardan certainly would but is a bit too lightweight IMO. Not stiff enough although with short lenses its fine.
 
Cookies are required to use this site. You must accept them to continue using the site. Learn more…