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What is your most used filter?

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mikeb_z5

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While browsing some of the images here I saw very few photos that included information on filtration used during exposure. so the questions are:

1. What is your most used filter? For what effect?
2. any examples in your portfolio(or gallery) we can see?

As a relative newcomer here and to photography in general I am often unsure on what filters I should purchase and/or use.

Thanks in advance for your replies,
Mike
 
When I do use a filter (very rarely these days), my faves are an orange to push the contrast up and get some good sky detail in the weedy English light and a yellow/green to get some differentiation in foliage tones- i use them both equally. Saying that, I proabably use a homemade diffusion filter to pre-expose film in high SBRs more than any other.

When i used to take more colour transparency shots, my fave was a ND grad
 
I always have an orange or red filter attached behind a UV. No reason other than I like the results. Sometimes use a polariser or a ND or coloured grad if i'm trying to get exposure times up or balance bright sky/dark ground etc.
 
1.5 stop yellow filter for B&W in one form or another.
 
40 or 70cc m
ND Grad
Tungsten
florescent
 
Hi Mike!
I'm pretty new to photography, and I bought a red (#25) and Orange (YA3) filter after reading about how these do interesting things to clouds and sky. I also have a polarizing filter, but an still experimenting with that one!

I keep a UV filter on my camera all the time and put the other filter over the top when I use them. I have found that I really like how the orange filter exaggerates the clouds in the sky without darking the foliage too much. I want to buy a green filter, too. I've read that it will wash out the green in some foliage and make it look "IRish" hmm... "IR-ish" (not Irish! haha :D) .

I have two pics in the Critique Gallery that were shot using an Orange filter. Hope this helps some! It's been really fun experimenting with the filters!
Jeanette
 
orange (and definatly red) can be a bit intrusive. I'd kick off with a yellow and consider building from that.

I got some really nice (at least technically) outdoor portrait shots recently with yellow/green - I'll defintaly be trying that more in future.

Ian
 
I don't care for the effects of the darker filters, so for B&W I use mostly K-2 and occasionally K-3 (I think that's #6 and #8 in the newer terminology).
juan
 
Here in NM, i never take off the light yellow filter. It adds just enough punch and doesn't over do the sky.
 
Without a doubt; a 1 or 2 stop ND Grad (I use it almost daily) and either a warm polarizer or an 81A. Of course, I primarily do color. When doing B&W I am currently only using a yellow filter - plus the ND Grads.
 
Probably #6 or #9 would be the most used. #25 wouldn't be too far behind.
 
Color-Warming polarizor or an 81a
BW-yellow or orange so far, but red comes in handy for drama.
 
Ok, this is stupid question #2350. How do you tell what is what by the different manufactueres designation? I have the basic yellow, red, orange filters, but there are many that I'm looking for, and faced with some strange number, I have no clue if it is a yellow green or purple. Any information out there to tell what is what?
 
Aggie said:
Ok, this is stupid question #2350. How do you tell what is what by the different manufactueres designation? I have the basic yellow, red, orange filters, but there are many that I'm looking for, and faced with some strange number, I have no clue if it is a yellow green or purple. Any information out there to tell what is what?

Aggie,

I understand your question and concern. In fact I have had the same concerns. The only way that I know to accurately determine the effects among differing manufacturers is to compare the spectral characteristics of the filter. A manufacturer who is of good repute will have this as published information.

In lieu of that, one can read the filter through the four channels of a color transmission densitometer. In fact, in my opinion, that method is actually more accurate insofar as the filter factors involving additional exposure.

Good luck
 
Aggie
When in doubt call the seller and ask. better yet go in and look at them. Then again I am not very picky and stick to the basics.
 
Aggie said:
Ok, this is stupid question #2350. How do you tell what is what by the different manufactueres designation? I have the basic yellow, red, orange filters, but there are many that I'm looking for, and faced with some strange number, I have no clue if it is a yellow green or purple. Any information out there to tell what is what?

Aggie,
Just call them and ask for their catalogs. I use filters from 4 manufacturers - B+W, Heliopan, Nikon and Hi-tech (for split ND) and got all the relevent information from them.

My most commonly used filter for B&W is a yellow-green filter from B+W.
 
I use three filters most... a UV, a Yellow (K2), and a linear polariser.
 
I'd have to say my most used filter is a coffee filter. Gotta get woke up in the morning. After that it's a red filter or an R-72 infrared if I'm shooting the stuff.
 
glbeas said:
I'd have to say my most used filter is a coffee filter. Gotta get woke up in the morning. After that it's a red filter or an R-72 infrared if I'm shooting the stuff.
LOL - you beat me to it.....
For me yellow, green, orange or red and often ND depending on the situation and effect I'm after (there uses already identified).
 
Mostly orange (21??) or yellow (8). Here in the UK we often need a litttle help with contrast... I use a 23A (very close to orange really) too and have just bought a 25 for a bit more kick. I also use a yellow-green quite a lot.
 
Mostly orange (21??) or yellow (8). Here in the UK we often need a litttle help with contrast... I use a 23A (very close to orange really) too and have just bought a 25 for a bit more kick. I also use a yellow-green quite a lot.
 
Wow, thanks for all the replies! Very helpful info indeed. From what I gather yellow and orange would be the flavors of choice?

I guess another question would be how do you compensate your exposures? Meter through the filter? Film manufacturers data sheet? or do you use a constant adjustment for each filter on all film types?

Thanks again,

Mike
 
I use a yellow quite a bit. Polarizer isn't far behind. I often use ND filters too.
 
mikeb_z5 said:
Wow, thanks for all the replies! Very helpful info indeed. From what I gather yellow and orange would be the flavors of choice?

I guess another question would be how do you compensate your exposures? Meter through the filter? Film manufacturers data sheet? or do you use a constant adjustment for each filter on all film types?

Thanks again,

Mike

I use the manufacturer's info and if the images come out dense or thin adjust accordingly. I have also metered through them as well. My wife's camers (Nikon FE2 with a great internal meter) has through the lens metering and so I make no adjustments.
 
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