In defense of Mr. von Hoegh's apparent consternation, it's taken me the day to pick apart what he asserts. I believe he means that converting a momentary blip of energy of a non-audio frequency into an audio frequency, which is actually a very small range; that the only hope of any kind of accuracy depends on the make of the sound card. And while a program such as Adobe Audition might have the screen to show a time-base in a believable sight; that the sound card itself is highly questionable. I have already proven to my own satisfaction in my tape-recorder restoration pursuits that a sound card does NOT give a flat frequency response to any degree to utilize it as a frequency-response generator. With that, then how could the time-base be dependable? How can you know you're picking out the correct 2 blips in Audition, CoolEdit, or whatever? This product we're discussing is probably a neat thing to own for the slow speeds, where blips will be far enough apart to be unmistakeable. At the high speeds, not so much. It stands to reason.