The Eiffeltower is a bad example as its protective right either expired or not even existed.
But otherwise there is most strictest restriction concerning buildings in France.
However our so resentful US fellows should not overlook that in many EU countries the legal situation is bettter for photographers on this matter (including Germany) than in the USA.
The tower itself is not protected, but the lighting is. (Don't ask me what I thionk of this, I may start a rant ;-) ) (Sorry, didn't read matt's comment before)The Eiffeltower is a bad example as its protective right either expired or not even existed.
But otherwise there is most strictest restriction concerning buildings in France.
However our so resentful US fellows should not overlook that in many EU countries the legal situation is bettter for photographers on this matter (including Germany) than in the USA.
There are 37,744 photos of the Atomium on Flickr, so I don't think anyone has been hampered by what the law is (or isn't).Image rights basically do not belong to the owner but the designer of a building (though that may vary by contract).
A "public" building not necessarily is owned by the state, let alone its image rights.
For instance the image rights of the Atomium in Belgium (a state lacking freedom of panorama) are with the heirs of its designer. They gave the commercial control to a belgian copyright collective. They again collaborate with a foundation that preserves that building. They again have appointed a sole Brussels photographer as officia photographer of that building. Any other photographer has to to do business with tht foundation to get his photographs published. If at all.
It isn't the taking of photographs in a public place that is restricted. The restrictions apply to the use of those photographs - particularly the "publication" of those photographs.Do any of these rules apply to an amateur photographer taking non-exploitative photographs for his own personally enjoyment from a public area? Obviously "upskirt" and similar photographs would not be appropriate.
So if I go to France and take a photo of the eiffel tower that happens to get a few people in it I'll run afoul of the law? If I grab a photo of buckingham palace and someone walks in front of my camera out come the billy clubs? Someone is going to have to explain why these rules are put in place.
Hi,
A lot of paranoid and uninformed prognostications here... It seems the subject was already beaten in another thread, but well... let's go. ...
This copyright prevents you to use your photos of the illuminated Eiffel Tower in a *COMMERCIAL OR PROFESSIONAL USE*
It isn't the taking of photographs in a public place that is restricted.
The Eiffeltower is a bad example as its protective right either expired or not even existed.
But otherwise there is most strictest restriction concerning buildings in France.
However our so resentful US fellows should not overlook that in many EU countries the legal situation is bettter for photographers on this matter (including Germany) than in the USA.
Also remembering that I was stopped and questioned in the Luxembourg Gardens in Paris by some sort of uniformed security because I had two cameras around my neck. They accused me of taking "professional" pictures.
Likely; referring to the right on ones own image, a german first on privacy protection.How is that? Germany is the worst for street photo laws...or so I've been told.
So many things to respond to.I was turned away from an event in the US for having a camera with a detachable lens. A DSLR with a detachable lens made me a pro. Had to leave the building. Once I left the building I could not reenter unless I buy another ticket as my ticket was already scanned. So didn't go back and lost my ticket $$.
I can only pray the EU's laws against candid street photography don't export to the US. We are already having chunks of photogs rights stripped away here. The left / dems are scheduled to take perpetual control of the US political system down the road. Conservative politics is no longer popular with the young people. No doubt the dems will not want anyone offended and have to go to their safe room. So it may only be time before the EU's draconian street photography laws are here in the US.
That is standard operating at concerts, sports, and other events. I can't believe you didn't know it. You need a small compact camera with a built in zoom for those occasions. Just common knowledge.I was turned away from an event in the US for having a camera with a detachable lens. A DSLR with a detachable lens made me a pro. Had to leave the building. Once I left the building I could not reenter unless I buy another ticket as my ticket was already scanned. So didn't go back and lost my ticket $$.
I was turned away from an event in the US for having a camera with a detachable lens. ...
That is standard operating at concerts, sports, and other events. ... You need a small compact camera with a built in zoom for those occasions. Just common knowledge.
The Exakta would probably be rejected. That Carl Zeiss Jena Sonnar 180mm f2.8 is a hunk of metal and glass. The Pentax 110, though it has interchageable lenses, is pocketable so unseen. The Minox III would be confused with a pack of gum.On TV, I see no one in the stands/bleachers who has a camera. I investigated the Major League Baseball site for policy and it really isn't clear what is allowed and what's forbidden. They pass responsibility for the decision to the stadium - I'm afraid that what is allowed is at the discretion of whoever is at the entrance gate. While my F4s is 99.9% likely to be rejected, what about taking an Exakta VX with a 180mm lens (which isn't very imposing and may not even be recognized as a camera)? What about a Pentax Auto 110 with a 50mm? Could one use a Minox III at a PGA tournament?
The real privacy risk for those of us who are not celebrities is the unauthorized use of our images in social media, especially by Social Justice Warriors of all persuations.So many things to respond to.
I expect that the event you were turned away from was essentially a private function such as a professional sporting event or concert. While the classification of your camera equipment as "professional" and therefore against the rules was silly, the decision to prevent professional photography was almost certainly within the event's management's rights, and most likely disclosed to you before you bought your ticket. Part of the way they make their money.
And as for draconian laws, maybe so, but unsurprising given the ongoing and numerous egregious and fundamental breaches of people's reasonable expectations of privacy and civility demanded by the tabloid journalism culture we find ourselves in.
I've been photographing in public for more than four decades. To be able to do so is a freedom that requires a mutual respect - both for the freedom itself and for those who find themselves being photographed. There has been so much abuse of that respect for subjects that it is not the least bit surprising that laws are being put into place to curtail the freedoms of photographers in order to protect the freedoms of those being photographed.
If you have suggestions about other ways to protect both sorts of freedoms, I for one would be happy to hear them.
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