I believe there have been mottling issues caused by the backing paper on several brands of 120 film lately.
Can this be corrected?
2) What might be the best way of interrogating this lens for any defects?
I can’t imagine it’s either camera or enlarger lens, because the spots are soft but almost in focus.
I believe there have been mottling issues caused by the backing paper on several brands of 120 film lately. Try a search here on Photrio.
That would be my first guess as well.
And indeed, many of those mottling issues are being reported, and have been for years. In fact, it's a systematic problem of 120 film - it's just that some production batches are more prone to it than others due to the ink used on the backing paper (recent Ilford situations were due to this, I believe) and/or storage conditions during distribution (the infamous Kodak TMAX situation of a few years ago).
If it's backing paper mottling: no.
You might try rewashing the negatives, but frankly, I don't think it's going to make much of a difference. Minus density spots don't wash away as a rule.
I don't see the lens as a likely cause of this. I'd look in other places first.
The fact that you got fine RA4 prints on color film exposed with the same lens already tells a story.
Give it a try with other B&W film, preferably from a different manufacturer. On a parallel track you could (should) contact Ilford and make sure you have the production batch imprint on your film at hand so they can check for known issues with this film. Generally, Ilford are really forthcoming in troubleshooting.
How old is the film and how was it stored before use. Your example sure looks to be mottling to me. I'm starting to wonder about accusing the backing paper/storage conditions all the time for mottling problems. I had some in some Fuji Acros II that was stored fine and pretty fresh. Same for some HP5+ that was just over the date stamp. I'm starting to question the gelatin in the emulsion. Maybe there was a change somewhere in the raw materials that make up the emulsion. All I know is that I never had this issue years back, so something or some things have certainly changed in the last few years. No matter what it is it doesn't make a person very happy to see a nice, well-thought-out picture turn out like crap.
a kind of "wave front" band like pattern of reduced emulsion on one end.
Something I didn't mention in OP - there is another artifact on one of the rolls: a kind of "wave front" band like pattern of reduced emulsion on one end. This effected the entire roll. I was able to partially dodge this out in the posted print, but here is an inverted cell phone image better depicting the finding. This was clearly a defective roll. I hope Ilford isn't having production problems. I'd hate to lose my ortho+!
That looks more like a development issue. In example #1 I see clear bubble-marks in the darker part of the skies which I initially thought were wispy clouds, but on closer inspection, I think they're bubbles.
Can you tell us some more about your film development process and especially how much time it takes to pour in the developer, which tank you use and how much developer you're using in it? I suspect there might be a problem there.
Oh, I never make mistakes! That I want to tell anyone about anyway. I have two names in my immediate family. One is Mr. Fixit, which I don't mind, and the other is Mr. Screwup. Usually Mr. Fixit has to follow closely behind Mr. Screwup. Yes, I agree, mistakes do happen.Apart from lack of developer volume, it might also be caused by a reel not slid all the way to the bottom of the center column in a development tank that could take more than one reel.
But yeah, it would be a significant error if it's entirely volume-related. Then again, errors are being made, sometimes big ones, and the bubble pattern in #1 combined with the multiple overlapping density bands in the second image do suggest something along these lines.
Btw, how about mistakenly filling e.g. a Paterson tank with the volume needed for 35mm while developing 120 film? It's an easy mistake to make, and would result in something like this.
That looks more like a development issue. In example #1 I see clear bubble-marks in the darker part of the skies which I initially thought were wispy clouds, but on closer inspection, I think they're bubbles.
Can you tell us some more about your film development process and especially how much time it takes to pour in the developer, which tank you use and how much developer you're using in it? I suspect there might be a problem there.
That's the only way I can imagine an artifact like this effecting an entire roll evenly.
A development problem would also be my first thought. But my process is consistent and ive never had this happen before. Without diving itno too much detail, I'll say that I use hc110, lab grade deionized water, standard process with strict time control. Filling the tank takes about 15 sec.
I absolutely would never partially fill the tank w/ developer, then wait a minute before filling the rest. That's the only way I can imagine an artifact like this effecting an entire roll evenly.
I ask before, but did you use a different film back for this particular roll?
That half-moon is caused by crimping the film during loading the film onto reels.
Well, besides using a smaller volume by accident. It happens - a couple of weeks ago, I had exactly the same thing happening to me. I used 900ml instead of 1000ml because I misread the graduate on the beaker I used.
And how about the reel not being seated entirely at the bottom of the tank? What type of tank do you use?
Evidently something went wrong, and it's not the film itself; I can virtually guarantee this.
This time I used a metal reel and tank. I always fill it to the brim. I'm starting to suspect the roll became partially unraveled either when loading or removing it without my realizing it (when working quickly out in the field) Seems that could yield a similar result, which in my case may be the more likely cause.
Tell me about it! This is why I hate metal reels. I'm sure some flawless ppl are rapid loading experts and never have crimping issues but the rest of us live among the mortals and its just sometimes a little tricky for whatever reason. I used the metal real b/c my plastic one broke.
Hewes stainless steel reels are easier to load, clamping the taped end to the center for 120 or hooking the sides for 135, are easier to load and the film does not slide off.
That is what I have, and we all deserve better.
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