• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

What inspiring photography book did you read or buy recently?

Two fantastic books, one is a classic:

"The eye of the photographer" by John Szarkowsky

the other one is not so well known but it shure SHOULD be a classic:

"Halsman On The Creation of Photographic Ideas" by Philippe Halsman
 
+1 on The Photographer's Eye.
 
TheToadMen said:
I enjoyed his columns too. Let me know how you liked this book, please. Or forward it to me when you're finished with it
Click to expand...

I will let you know how I liked this book but if I do like it, it will go into my permanent collection of books that I keep for reference. I bought this book through BIBLIO.com. They represent book stores with extra copies of books to sell. There were several copies available when I ordered mine.......Regards
 
Unknown Halsman.

I didn't realize he also enjoyed the surreal. Learn something new every day. Sometimes.
 
Robert Adams-Why People Photograph. Clear and accessible but thought provoking.
 
Mountain Light - Galen Rowell

Just a tremendous book outlining how Galen thought about taking photographs. I was amazed to learn some of the things he did to take some photographs - I knew he was a mountaineer but didn't realize he was that good a mountaineer. Some of the adventure stories buried in the text were amazing.
 
I was given to choose a book for my birthday last week so I ordered the book Group f.64 (by Mary Alinder) at a local book store. It should arrive in a week. (See: http://www.bloomsbury.com/uk/group-f64-9781620405550/)

It came (there was a url link here which no longer exists) here on APUG and I'm very interested in the Pictorialism era and the Group f.64 that came from this era and moved away from Pictorialism. It's a interesting list of names. Can't wait to read it.



Group f.64 is perhaps the most famous movement in the history of photography, counting among its members Ansel Adams, Imogen Cunningham, Dorothea Lange, Willard Van Dyke, and Edward Weston. Revolutionary in their day, Group f.64 was one of the first modern art movements equally defined by women. From the San Francisco Bay Area, its influence extended internationally, contributing significantly to the recognition of photography as a fine art.

The group-first identified as such in a 1932 exhibition-was comprised of strongly individualist artists, brought together by a common philosophy, and held together in a tangle of dynamic relationships. They shared a conviction that photography must emphasize its unique capabilities-those that distinguished it from other arts-in order to establish the medium's identity. Their name, f.64, they took from a very small lens aperture used with their large format cameras, a pinprick that allowed them to capture the greatest possible depth of field in their lustrous, sharply detailed prints. In today's digital world, these “straight” photography champions are increasingly revered.

Mary Alinder is uniquely positioned to write this first group biography. A former assistant to Ansel Adams, she knew most of the artists featured. Just as importantly, she understands the art. Featuring fifty photographs by and of its members, Group f.64 details a transformative period in art with narrative flair.
 

Attachments

  • book-group-f64-Alinder.jpg
    11.2 KB · Views: 316
the national (england) portrait gallery's book "camera portraits ";
radar + atget's complete works ...
 
Eugene Richards [Phaidon 55]-powerful stuff!
 
So far this Summer I've read 3 fascinating books:
Alinder's "Group f64" was very informative on the dynamics of that very important group of photographers.
Sally Mann's "Hold Still" for understanding where she is coming from. And she is an excellent writer.
An older book, Anne Hammond's "Frederick H. Evans: selected texts and bibliography", interesting how much of the debate over 100 years ago is still being repeated.
 
doughowk said:
So far this Summer I've read 3 fascinating books:
Alinder's "Group f64" was very informative on the dynamics of that very important group of photographers.
Click to expand...

I just started reading this book and it looks good.

drkhalsa said:
On Being a Photographer
David Hurn and Bill Jay
Click to expand...

That book is the next to read.
 
TheToadMen said:
I just started reading this book and it looks good.



That book is the next to read.
Click to expand...

On Being A Photographer is a long time favourite of mine-accessible and free of artspeak!
 
carleton watkin's Photographs of the Columbia River and Oregon, pare's photography and architecture 1839-1939, frizot's new history, rosenblum's world history, robinson's architecture transformed, szarkowski's photography until now, diane arbus monograph, cca monograph on edouard baldus, palmquist's Carleton E. Watkins: Photographer of the American West, it's hard to know where to stop...
 
Sally mann biop

Sent from my SAMSUNG-SM-G900A using Tapatalk
 
Benjamin Brecknell Turner:rural England through a Victorian lens-a quality monograph on an important pioneer.
 
Nothing recently.
Rudolf Arnheim, Art and Visual Preception A Psychology of the Creative Eye
Richard d. Zakia, Perception & Imaging
Eugene Hecht, Optics Fourth Edition
Rudolf Kingslake, A History of the Photographic Lens
Warren J. Smith, Modern Optical Engineering Third Edition
 

Sounds like it!
 
I'm almost done w/ a book I knew I wanted.

Dead Link Removed

Its odd, because much of the author's aesthetic is quite alien to me. What Jake writes about the craft was the primary draw - largely a philosophical treatise on photo art. He calls his work 'formal' portrait, which is a different take on the concept than tradition. Subjects are exclusively from his own personal circles - people he know at least pretty well. But I said the writing was the draw. A sample:

http://codex.bluemooncamera.com/201...the-portland-art-museum-the-decisive-morning/

If you don't like the museum speach - no real point giving further attention.

So I understand more of his work, like more of it, and my respect for his approach is rather profound.

Side note - Jake owns the local shop & has surrounded himself w/ really superb people. I've bought gear there, bought the book & have been helped above & beyond reasonable - including when things went wrong. I have no interest w/ the shop other than being terribly impressed w/ how they do what they do. If you get near Portland, OR - ducking in the shop will likely be a real treat.
 
Hold Still

I have been reading Hold Still, Sally Mann's Memoir. Don't know if it qualifies as the typical photo book but it is very, very interesting and it does have photographs. I am not yet finished but I can certainly recommend it to anyone who is interested in a good read by, and about, a good photographer.
 
You must log in or register to reply here.
Menu
Log in
Register